这就是为什么你现在看到的宝座不是在藻井的正下方。
This is why you see that the throne is not directly under the caisson.
顶部是鎏金宝顶，抬头仰视，便是龙凤藻井，中心是龙凤成祥的图案。
The top is fine gold treasure top, looked up and look up, is longfeng sunk panel, the center is LongFengCheng auspicious patterns.
处在当心间顶部的砖雕藻井，被认为是双塔寺砖雕艺术和建筑艺术中的代表作。
Be careful in inter-brick at the top of the caisson, is considered to be the twin towers brick temple art and architecture of the representative.
塔内明层都有塑像，头层释迦佛高大肃穆，顶部穹窿藻井给人以天高莫测的感觉。
Tower bright layer have statue, the first layer release Buddha tall and big and solemn Jia, top vault gallery sunk panel gives somebody the high feeling not examined don't of heaven.
例如吸取我国传统木构架建筑室内的藻井天棚、挂落、雀替的构成和装饰，明、清家具造型和款式特征。
For example, learn from China's traditional wooden frame building interior caisson ceiling, hanging down, QT composition and decoration, the Ming and Qing furniture shape and style characteristics.
荷花的美展现在陶瓷器、青铜器、金银器、玉石器、砖雕石刻、壁画藻井等方面，至少有40类以上，品种不计其数。
The image of lotus flower can been seen on chinaware, copperware, gold, silverware, jade article, and brick carving with at least 40 kinds and in large variety.
文章从壁画的内容、表现方法、（密体的表现方法）空间构成、藻井图案几方面来分析和阐述420窟隋代壁画的风格特点和她所带来的审美感受。
The spatial constitution, the caisson cEiling design and the aspect analyze and elaborated 420 hole Sui Dynasty mural's style characteristic and she brings esthetic feeling.
文章从壁画的内容、表现方法、（密体的表现方法）空间构成、藻井图案几方面来分析和阐述420窟隋代壁画的风格特点和她所带来的审美感受。
The spatial constitution, the caisson cEiling design and the aspect analyze and elaborated 420 hole Sui Dynasty mural's style characteristic and she brings esthetic feeling.
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