The second section analyses the inner aesthetics relation between the Occidental watercolor painting and Chinese ink painting, build up the dimensional image through the expressive force of water.
第二章详细分析西洋水彩画传入中国后与中国水墨画二者之间存在的某种内在美学联系，通过基本元素“水”的表现力营造出画面意象的空间。
The second section analyses the inner aesthetics relation between the Occidental watercolor painting and Chinese ink painting, build up the dimensional image through the expressive force of water.
第二章详细分析西洋水彩画传入中国后与中国水墨画二者之间存在的某种内在美学联系，通过基本元素“水”的表现力营造出画面意象的空间。
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