• Everyone, according to the logic ofAreopagitica everyone has the potential to assume the inner authority of conscience and self-discipline.

    按照《论出版自由》的逻辑,每个人都有,用内在良心的统治和自律的潜力。

    耶鲁公开课 - 弥尔顿课程节选

  • He serves as something like a complicated double for the young, unpublished, and as of yet unproductive poet himself.

    他就像一个复杂的替身,是那些年轻的,还没出版诗歌或是不多产的诗人自己的替身。

    耶鲁公开课 - 弥尔顿课程节选

  • What did we lose in our understanding of it as a literary object when the second half was not published?

    将它置于文学作品之列来理解时,我们失去了什么?,书的后半部分没出版时?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • The title of that book, published in 1914, and the one that more than any other made him famous, locates his subjects in a specific geography.

    这本书的名称,1914年出版,是这本书让他出名的,把他的主题放在一个具体的地理位置上。

    耶鲁公开课 - 现代诗歌课程节选

  • Before you know it, they're going to be talking about their financial situation and how you fit into it.

    不可避免的,他们会说到自己的财务状况,以及你是否适合在他们公司出版作品

    耶鲁公开课 - 金融市场课程节选

  • I want to mention just a few of the publications that Doctor West has had over the years.

    我想先提几本韦斯特博士,在这几年所著的出版物。

    普林斯顿公开课 - 人性课程节选

  • 913 And, he didn't publish anything related to the Lewis structure until about 1912 or 1913.

    直到1912或,他都没有出版任,何与路易斯结构式有关的东西。

    麻省理工公开课 - 固态化学导论课程节选

  • And the whole publishing industry was very careful to keep those or some, were very careful to keep those separate and how they will be managed. That was called separation of churching state. But when we began publishing on the internet, we discovered a new kind of content which are called community content.

    整个出版产业十分小心,地保持着它们或者其中一些,非常仔细地保持,它们是分开以及如何管理它们,那被,称为政教分离,但是当我们,开始在互联网上出版,我们发现一种,新内容,交错社区内容。

    麻省理工公开课 - 媒体、教育、市场课程节选

  • Milton devotes a lot of time in Areopagitica to making a number of attempts to distinguish licensing from censorship.

    弥尔顿在《论出版自由》中花了很大功夫,试图区分出版许可管理和出版控制。

    耶鲁公开课 - 弥尔顿课程节选

  • A lot has happened since the exuberant optimism of the political spirit that we see in a tract like Areopagitica.

    弥尔顿在《论出版自由》中发表了极为乐观的政治思想之后,政治形势发生了很大变化。

    耶鲁公开课 - 弥尔顿课程节选

  • By the time we get to 1644, this is the year that Areopagitica appears, we're well into the English Revolution.

    到1644年,就是《论出版自由》出版的那一年,我们真正进入了英国革命。

    耶鲁公开课 - 弥尔顿课程节选

  • Now when Black Boy was published there was a war bond advertisement on the back cover of the book.

    当《黑孩子》出版时,战争债券的广告是附在书后的。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • From 1641 to 1643, there had been an unprecedented explosion of printing and publishing in England.

    从1641年到1643年,在英格兰出现了,空前的印刷出版狂潮。

    耶鲁公开课 - 弥尔顿课程节选

  • I'm going to talk a little bit about its publishing history, its compositional history, actually, at the end of my two lectures on the novel.

    我打算在讲这部小说的最后两次课上,略微谈一点关于这部小说的出版历史,实际上也是创作历史。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We know what censorship is. Censorship is the banning of books that have been published and that have been deemed by the state authorities to be dangerous or harmful in some way.

    我们知道什么是控制,控制就是,禁止已经出版的书籍和被政府认为,在某些方面非常危险和有害的。

    耶鲁公开课 - 弥尔顿课程节选

  • It's a process of undoing and undermining that really eats away at the argument, we could argue, throughout the entirety of Areopagitica.

    这是个论点开始慢慢被侵蚀破坏的过程,我们可以争论这点,贯穿整个《论出版自由》中。

    耶鲁公开课 - 弥尔顿课程节选

  • So he had published Native Son in 1940 to great acclaim, a very successful novel.

    他在1940年出版了《土生子》,广受好评,是一部很成功的小说。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Mammon had surfaced -- I'm testing your memories here - in the text of Areopagitica.

    贪欲之神以前在--我想考考你们的记性,《论出版自由》中出现过。

    耶鲁公开课 - 弥尔顿课程节选

  • Because this is one of the most famous passages in the treatise, and it's not one that we actually looked at for Mammon himself, I'm going to ask you to turn to Areopagitica.

    因为这是在那篇论文中最有名的篇章之一,而且这不是我们之前看到贪欲之神唯一的篇章,我想让你们翻开《论出版自由》

    耶鲁公开课 - 弥尔顿课程节选

  • We last left the poet in the 1640s. Areopagitica, you'll remember, was written in 1644.

    上节课讲到17世纪40年代的诗歌,《论出版自由》,是弥尔顿在1644年写的。

    耶鲁公开课 - 弥尔顿课程节选

  • So in Milton's argument against licensing, the coexistence of so many conflicting opinions and beliefs.

    所以在弥尔顿反对出版许可的论点中,他支持很多不同的观点和信念的共存。

    耶鲁公开课 - 弥尔顿课程节选

  • And it wouldn't be another twenty-two years after that until Milton actually published Paradise Lost.

    直到22年后,弥尔顿才真正出版《失乐园》

    耶鲁公开课 - 弥尔顿课程节选

  • Milton doesn't denounce censorship at all, although it comes up.

    弥尔顿根本没有谴责出版控制,尽管有流露出一些来。

    耶鲁公开课 - 弥尔顿课程节选

  • According to the 1643 Licensing Order against which Milton is directing this treatise, Areopagitica, a book has to be sent to the licensing office for approval before it can be published.

    根据和弥尔顿《论出版自由》相斥的1643年《出版管制法》,每本书都要送去出版许可办公室,得到许可后才能出版

    耶鲁公开课 - 弥尔顿课程节选

  • So what we see in the publishing history of Black Boy and also in its reception brings us back to those questions that I was raising at the beginning of class.

    黑孩子》的出版经历,以及出版之后的反响,让我们又回到了我一开始提到的那些问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And we had a very complex publishing history to think about with that text.

    我们在出版那本书的时候经历了,一个复杂的过程。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And the truth of whether a book should or should not be censored is something that's come about through the diligent effort of a group, rather than a single arbitrary judge like the state licenser.

    但一本书是否真正被控制,是一堆人努力的结果,而不是政府出版管理处的人员专横的决定。

    耶鲁公开课 - 弥尔顿课程节选

  • Feet, of course, has a lot of meanings, and Milton's poetic feet, the material of the verse written in six and eight and ten syllables in this poem, are also in 1634 printless -- they're unpublished.

    双脚,当然有很多意义,而弥尔顿富有诗意的双脚,这首六,八,十音节的诗,在1634年也是不留痕迹的--因为那时候还没有出版

    耶鲁公开课 - 弥尔顿课程节选

  • He positions pro-censorship argument alongside anti-censorship rhetoric or metaphor, and there are dozens of moments in which it's just these opposites that are being asked to coexist in some kind of peace.

    他把支持控制出版的论点和反对控制出版的修辞和,比喻放在一起,有无数次这样的对立,被要求和平共处在一起。

    耶鲁公开课 - 弥尔顿课程节选

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