And, of course, there's this-- another acoustical phenomenon here we've talked about before, what's the relationship within an octave?

当然,就是这个,我们以前谈论过的,另一种声学现象,八度的内部联系是什么呢

耶鲁公开课 - 聆听音乐课程节选

So there are a lot of acoustical things and sort of tricks of synthetic things going on in pop music.

所以在流行音乐中有很多声学的东西以及合成的技巧在里面。

耶鲁公开课 - 聆听音乐课程节选

There's an acoustical reason for this.

这里就有一个听觉的因素

耶鲁公开课 - 聆听音乐课程节选

French horn, yeah,but notice that if we take this aggregate-- and we're back to that same idea of the octave,the fifth,the fourth and the third, sort of,so it's again sort of primordial, this particular acoustical basis of so much of music.

法国号，对，但是注意，从总体的角度来看-,我们又回到了八度的概念，第五，第四，第三，大概是这样，所以这依然是是很基础的形式，许许多多音乐都是以这一种形式为声学基础的。

耶鲁公开课 - 聆听音乐课程节选

Okay, in the Mozart there were violins, so acoustical instruments as opposed to synthetic sound with regard to the pop music.

好的,在Mozart的作品中,小提琴,这种乐器发出的声音与那种,流行乐的合成音效是截然不同的

耶鲁公开课 - 聆听音乐课程节选