You can actually see the mechanics of end-stopped verse quite clearly in the rhymed version of Paradise Lost that, admittedly, the great poet John Dryden wrote.
在大诗人约翰·德莱顿所写的,押韵版的《失乐园》中能很明显看到,这中孤联诗句的机制。
He says, "Look, I try to picture the world--admittedly from the outside-- I try to picture the world in which I don't exist, I'm no longer conscious. I'm no longer a person, no longer experiencing anything.
他会说,你看,我试图从外界角度想象这个世界-,想象我不存在的这个世界,我不再具有意识,不再作为人存在,不再有任何经历。
Okay.So that's an example of a classical composer, admittedly in a pretty straightforward situation, using the same three-chord chord progressions we find in the Beach Boys.
好,以上我们举了一个古典作曲家的例子,诚然这个选段的结构比较简单,直接了当,它所用的包含三个和弦的和弦进程与我们在Beach,Boys音乐中分析的相同。
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