So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.

于是剧情精妙的发展，就变成做出错误选择然后克服困难了：,简洁，繁琐，选择其实就是诱惑。

耶鲁公开课 - 文学理论导论课程节选

But somehow or another it's not enough because the otherness, - the mutuality of regard that this story wants to enforce as life-- as life properly lived--is not entailed in and of itself in neatness and busyness.

但是这还不够，因为还有别的东西，比如这个故事还讲了-,生命不只是,限定在简洁与忙碌之中。

耶鲁公开课 - 文学理论导论课程节选