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He called it "Sanctuary." When the book was ready to be published, Faulkner went to New York and completely rewrote it.
VOA: special.2010.01.10
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I hope you will keep on saying it, but I hope you will say it as an artist, as in Native Son. So Faulkner's objection is on the other side.
希望你会继续讲下去，但要以艺术家的身份讲下去，就像在《土生子》里面那样”
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Faulkner wrote about this too in that immortal character he created in Thomas Sutpen in Absalom, Absalom!
福克纳同样写过这样的内容,那就是,《押沙龙,押沙龙》中的托马斯·塞德潘
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Instead of remaining in Paris, as many American writers did, Faulkner returned to Mississippi and began his serious writing.
VOA: special.2010.01.03
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This is what William Faulkner wrote to Wright upon reading Black Boy.
读完《黑孩子》之后给莱特写的。
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Yet,he said,the unevenness shows that Faulkner was willing to take risks, to explore new material, and new ways to talk about it.
VOA: special.2010.01.10
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Faulkner captured this, Faulkner captured this all over the place.
福克纳抓住了这种情绪,他所有的文章都弥漫着这种情绪
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Faulkner resisted. He said,if you grow a vegetable, you can cut it to look like something else, but it will be dead.
VOA: special.2010.01.03
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But I have a favorite line in his novel called The Hamlet, where Faulkner has one of his characters say, and I quote: "Only thank God men have done learned how to forget quick what they ain't brave enough to cure."
但我最爱他在小说《村子》里的一句话,他笔下的一个角色说道,"感谢上帝,让人类学会了怎样,迅速的忘记那些我们没勇气面对的事"
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The critic Malcolm Cowley says, Faulkner's "early novels had been praised too much, usually for the wrong reasons.
VOA: special.2010.01.10
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That's another one of those sentences by Faulkner that sort of captured this spirit of Alabama Fever, as it was called, in the 1820s and '30s, and Mississippi Fever in the 1830s, Louisiana/Texas Fever by the 18 well Louisiana Fever is even earlier--but Texas Fever by the 1840s.
还有福克纳写的另一部作品,作品谈到了十九世纪二三十年代的,圈地狂潮,在阿拉巴马州,十九世纪三十年代的密西西比,在路易斯安那州和德克萨斯州,路易斯安那州圈地潮相对出现得更早,德克萨斯州圈地潮是在十九世纪四十年代
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Faulkner said he saw in his mind a dirty little girl playing in front of her house.
VOA: special.2010.01.10
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For Faulkner, Popeye represents everything that is wrong with modern society and its concern with economic capitalism.
VOA: special.2010.01.10
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From this small beginning, Faulkner developed a story about the Compson family, told in four different voices.
VOA: special.2010.01.10
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Do you see now.'" The American writer, Robert Penn Warren says about Faulkner, "The important thing is the presence of the idea of truth.
VOA: special.2010.01.03
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After Faulkner, few northerners were brave enough to write about a South they did not know.
VOA: special.2010.01.03
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In Faulkner's story called "The Bear" a group of men are talking after the day's hunt.
VOA: special.2010.01.03
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The critic Malcolm Cowley says, "Others might say that Faulkner was not so much writing stories for the public as telling them to himself.
VOA: special.2010.01.03
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I'm a lady." Some of the people Faulkner creates, like Reverend Hightower in "Light in August,"
VOA: special.2010.01.10
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In nineteen forty-six, Malcolm Cowley collected some of Faulkner's writings and wrote a report about him.
VOA: special.2010.01.10
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From him,Faulkner learned some of the reasons people act in the strange way they often do.
VOA: special.2010.01.03
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He also told Faulkner he would find a publisher for the novel Faulkner was writing.
VOA: special.2010.01.03
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Faulkner ties the three levels of individual psychology, social history and tragedy into a whole.
VOA: special.2010.01.10
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As Malcolm Cowley shows, all of Faulkner's people, black or white,act in a similar way.
VOA: special.2010.01.10
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Faulkner has been accused of looking back to a time when life was better.
VOA: special.2010.01.03
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And I'm Faith Lapidus. Join us again next week for the rest of the story about William Faulkner on People in America in VOA Special English.
VOA: special.2010.01.03
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Today,we begin the story of the life of a famous Southern writer, William Faulkner.
VOA: special.2010.01.03
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It would not be remembered today if it were not for Faulkner's later work.
VOA: special.2010.01.03
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She calls him "that man." Faulkner says that nothing can be had without love.
VOA: special.2010.01.10
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This is the changing South that Faulkner describes in the area he created.
VOA: special.2010.01.03
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