So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.

于是剧情精妙的发展，就变成做出错误选择然后克服困难了：,简洁，繁琐，选择其实就是诱惑。

耶鲁公开课 - 文学理论导论课程节选

But somehow or another it's not enough because the otherness, - the mutuality of regard that this story wants to enforce as life-- as life properly lived--is not entailed in and of itself in neatness and busyness.

但是这还不够，因为还有别的东西，比如这个故事还讲了-,生命不只是,限定在简洁与忙碌之中。

耶鲁公开课 - 文学理论导论课程节选

The Greek word for that is Dysnomia "and how good government" Eunomia "displays all neatness and order, and many times she must be shackles on the breakers of laws."

希腊语中腐朽的政府被称为"Dysnomia",而廉洁的政府,叫做"Eunomia",使城邦井然有序,她一次又一次,给法律的破坏者套上枷锁

耶鲁公开课 - 古希腊历史简介课程节选