Literary theory just takes those for granted as part of the sense experience, as one might say, of any reader and prefers, rather, to dwell on questions of description, analysis and speculation, as I've said.
文学理论把这些,当作是读者感性认识的一部分,它更喜欢讨论关于描述,分析和猜测的问题,正如我之前,说过的那样。
He begins the work, you remember, with an account of human nature, account of human psychology, as a product of sense and experience.
他的书开始于,关于人性的解释,关于人类心理的解释,作为理性和经验的产物。
His sense of the way in which the mind reacts to the world, to its experience, and the way in which it's an uncomplicated reaction, a resisting reaction, or an adjusting reaction, all has very much to do with Pavlovian principles.
他关于思维对外界的反应,对经验反应的看法,和他认为这种反应是简单的,稳定的,适应性的,都和巴普洛夫的理论有关。
There sometimes will be homework assignments which sort of build on what we've done during the section but it's not a lab in that sense that it's a long experience in the afternoon or that requires any detailed reports.
有时候我们会有家庭作业,是关于这部分内容的,但这不是那种需要在实验室呆一整个下午,要提交细节翔实的报告的那种实验
They are what he has to work with, even though they are what defeat him in his effort to make sense of this experience with Magda.
他必须使用它们,尽管就是这些词语使,他失败了,无法传神表达和Magda的经历。
The utopianism of the book is, in many ways, the reverse side of the sense of profound disillusionment that he felt at the actual experience of the Athenian polis.
书中的乌托邦主义在很多方面,都是他,彻底醒悟的反说,也是他对,雅典城邦的实际体验。
It is not enough merely to speak the same words, but in a sense, citizens must have certain common experiences, certain common memory and experience that shape a city and the people.
仅是说相同的话还不够,另一方面,公民还必需,要有特定的共同经历,特定的共同记忆,与形塑城市与人民的经历。
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