Now it's not until the fourth stanza of the prelude that we can fully understand the magnitude of the strange anxieties here.
直到序曲的第四段,我们才能完全明白这种奇怪焦虑的严重性。
When we consider the degree of Milton's anxieties about his own attachment to classical learning, I think we can see the significance of Mammon's actions here.
当我们考虑到弥尔顿对于古典文献学习的,极大热忱,我认为我们可以,看到贪神在此这么做的意义所在。
I think, for example, in my own relationships,talks about my marriage, where I have to be vulnerable, I have to take a risk, where in fact I have to be willing to change my mind about my reading of the situation, based on my own fears and insecurities and anxieties.
举我自己的感情,我的婚姻作为例子吧,在婚姻中我会很脆弱,我必须冒险,而且,我必须愿意去改变自己,对当前状况的解读,不安全感和焦虑的影响而变得盲目。
And while it would be ridiculous for us to read the entire mask as the poet's own completely unfettered autobiographical fantasy, a Miltonic set of interests and a Miltonic set of anxieties charging and fueling this work.
虽然要我们读完整篇文章有点荒谬,因为诗人的自传幻想太无拘无束了,这个作品有弥尔顿式的嗜好,和弥尔顿式的焦虑控诉及刺激因素。
He's beginning to put aside all of those literary anxieties induced by his reading of Shakespeare, and it's as if he's more and more willing to use as a kind of literary assistant, or helper, Spenser: the great poet of holy matrimony and married sexual bliss.
他开始抛开那些阅读莎士比亚,得到的文学焦虑感,他似乎越来越愿意,使用斯宾塞作为文学助手,斯宾塞:,是神圣婚姻和婚姻性生活祝福的伟大诗人。
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