It creates as a distance between two points, rather than a straight line, an arabesque.
它加长了两点之间的距离,使它变得非直而曲。
So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.
于是剧情精妙的发展,就变成做出错误选择然后克服困难了:,简洁,繁琐,选择其实就是诱惑。
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