And I'm sure you don't remember, but one of the things I had in my recipe, is beat egg whites until stiff. OK.

我相信你们不记得了，但是我说过我食谱中的一件事情是，搅拌蛋清直到变浓稠，好。

麻省理工公开课 - 计算机科学及编程导论课程节选

Listen to how quickly Yeats modulates from one feeling, one image, to another in these really very short, quick, three-beat lines.

听一听叶芝是怎么快速地,从一种情绪，一个情景中，转换到另一个里去的,就在这些三音韵的短诗句中。

耶鲁公开课 - 现代诗歌课程节选

In that fashion, one--It's playing eighth notes, one-and, two-and; it's subdividing the beat whereas the syncopation -it's there, and so on.

就是这种方式,一,它演奏八分音符,一大,二大,有切分音的地方,节拍被细分了,就像这样

耶鲁公开课 - 聆听音乐课程节选

The three-hour diet, can't beat that one!

三小时法,这个太猛了

耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

So, that is something these writers share with modernism, but there is one big difference and I want to exemplify that for you just by reading to you two parallel texts, one from the modernist canon and one from the Beat canon.

所以，这就是这些作者和现代主义的相似之处，但其中有个很大的区别，我想通过举例来说明,我给你们读两段类似的文字，分别是标准的现代主义风格和垮掉的一代的风格。

耶鲁公开课 - 1945年后的美国小说课程节选

Yeah, two within one beat would give us eighth notes.

对,在一个拍子里,是个八分音符

耶鲁公开课 - 聆听音乐课程节选

Okay. So that's a duple meter piece and what we're trying to do here is just hear if we've got one strong and one weak beat or one strong and two weak beats.

好的,刚才是一段二拍子的作品,我们在这里做的,就是去听,是不是有一强一弱,或者一强两弱的拍子

耶鲁公开课 - 聆听音乐课程节选

This would be? Well let's think through this in one additional way and that is--notice that in duple meter we have a strong beat, right "Strong, weak, strong, weak, strong, weak, strong weak" in that sense or if we have triple it would be "Strong, weak, weak, strong, weak, weak."

是什么呢,我们用另一种方式来想,这个,你们知道二拍子,有很强的鼓点,对吧,强,弱,强,弱,强,弱,强,弱,那在这种情况下如果我们拿一段三拍子,那就会是,强,弱,弱,强,弱,弱

耶鲁公开课 - 聆听音乐课程节选