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It's rhymed iambic tetrameter, four beats per line, with some variations.
这是首押韵的短长体四音部句，一行四音，也有些变化。
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where all the beats, the b-generation in the 50s gathered and they used to sell banned books.
那里全是50年代时的反传统一代留下的书，那些书当时是禁书。
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And again, we're not saying choosing 2 beats choosing 1, 2 wins against 1 or 9 wins against 10.
我们不是说选立场2会击败选立场1的,选立场2能赢立场1的,或者选立场9能赢选立场10的
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A couple of hours, because typically there's just one battle; one side beats the other and that's the war for now.
几个小时,一般来说只有一次战斗,一方攻打另一方,这就是战争
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The language that the Beats tried to imagine, tried to write, takes up some of these problems that we saw in Nabokov.
垮掉的一代试图想象和写出的语言，同样是是我们在纳博科夫的书里所看到的问题。
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You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
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One class of them is beta-blockers, they bind to beta-adrenergic receptors, which are receptors that exchange information between your nervous system and the contractile system that beats your heart and that causes the heartbeat.
一类药物是β阻断剂,它们与β肾上腺素受体结合,这种受体能够在神经系统和,控制心跳的心肌收缩系统之间传递信息,从而产生心跳
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We'll sit on the dominant chord for eight beats and I will look over and everybody else will come back in at the end of Chris's solo."
主和弦占八拍,然后我会见机行事,在克里斯的独奏结束时大家回到主调
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So it's not the case that top always beats-- it's not the case that top always does better than bottom, or that bottom always does better than top.
也就是说选择上并不总是最优的,上并不总是优于下,或者下并不总是优于上
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Yeah,it's regular, and with-- each chord was holding for two beats there in duple meter.
对，这是规则变化，每个和弦都维持两拍，这里一小节两拍。
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Embarrassment is something that the Beats value.
难堪正是垮掉的一代所重视的东西。
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You're not going to get that in the Beats.
这你是不会在垮掉的一代里看到的。
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If we have a particular rhythm, and this is a rhythm, and here are the beats and the meter underneath, we would be coming along one, two-and, one, two.
如果我们有一段节奏,这里就有一段节奏,而下面标明了节拍和拍子,我们就能一二,一二
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Okay? So repetitious, rhythm, beats, strong pulsation to it.
不停的反复,节奏,鼓点,强烈的脉动
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So in music what has happened is that we have organized this steady stream of beats in ways that we can understand.
因此在音乐里,我们用可以理解的方式,把这些稳定的一连串拍进行重组
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The excess requires, for the Beats, a new kind of language.
过度这种要求垮掉的一代有一种新的语言。
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It does not mean 2 beats 1.
这不意味这立场2会击败立场1
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There would be two weak beats or two unstressed beats between each strong beat.
会有两个弱拍或者说是非强拍,存在于每个强拍间
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If you read Walt Whitman, you will see much of the same ethos So, Ginsberg is not the first to do this in the American tradition, for sure, but it's a very important part of what the Beats revive.
如果你读过沃尔特惠特曼，你会发现类似的思潮,所以金斯堡肯定不是第一个在美国传统上这么做的，但它是使垮掉的一代复兴的重要部分。
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