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With the Tchaikovsky they--all the intervals are the--the durations are the same, but with the Beethoven, short, short, short, long.
柴可夫斯基的乐曲中,所有和弦的时值都是一样的,但贝多芬的乐曲里,却是短音,短音,短音,长音
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Music gravitates around a home pitch and in the Beethoven Fifth symphony we still haven't gotten the home pitch.
音乐的音高一般会围绕着主音高浮动,在贝多芬的第五交响乐中 ,我们还没发现这个主音高
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So that was Beethoven's Fifth Symphony, the beginning of it, a famous passage in the history of classical music.
这是贝多芬的第五交响曲,开始的一段,在古典音乐史上非常有名一段
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Genre" Is simply a fancy word for "Type" Or "Kind" so what genre of piece is this by Beethoven?
风格,只是某种比种类或类别,更花哨的说法,那这首贝多芬作品属于什么风格呢
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So, this is some of the last music that Beethoven wrote in the setting that we're about to listen to.
因此,它也是,我们这套唱片里,贝多芬最后的那些乐曲
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As I say in the textbook there, the beginning of the Beethoven Fifth is something like a musical punch in the nose.
正如我在课本里所说的,听到贝多芬的第五交响曲开始乐段,就像有人用音乐,在你鼻子上猛击了一拳
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That's the melody and we're going to sing beneath-- we're going to sing Beethoven's bass beneath Beethoven's melody.
这是这段音乐的旋律，我们接着要唱旋律下面的部分-,我们要唱贝多芬旋律下面的低音部分。
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Okay. If you go to hear a symphony of mid-Beethoven, on-- each movement will probably last fifteen minutes.
好，如果你去听一部贝多芬中期的交响乐，每一乐章大概15分钟左右。
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Beethoven set it under the heading of "God Save the King, " George the Third or somebody.
贝多芬给它起名《天佑吾王》,乔治三世或者别的什么人
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Now let's contrast that with what happens in the second movement of Beethoven's Fifth Symphony where we have a lyrical, long, flowing theme. Okay?
现在我们拿它来对比下,贝多芬第五交响曲的第二乐章,这部分有长时间抒情的流畅主题,开始
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Bach wrote a mass, Mozart wrote many masses, Beethoven wrote two important masses and so on.
巴赫写过一首弥撒曲,莫扎特写过很多,贝多芬写过两首重要的弥撒曲,等等
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Beethoven was like a military general, interesting the way he operated, always setting up these battles.
贝多芬就像一个军队里的将军,他的指挥很有趣,总是想打仗
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Okay. That is Beethoven, Ludwig van Beethoven, and do you know the name of the piece?
好的,就是贝多芬,路德维希·凡·贝多芬,那么你知道这首曲子的名字吗
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We said the third movement was dance derived, but in this case with Beethoven it's a very strange dance if it is dance derived.
我们说过,第三乐章是由舞曲衍生的,但贝多芬这第三乐章里,这舞曲很怪异,如果它的确是由舞曲衍生的话
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Oftentimes I get student papers that refer to "Beethoven's fifth song" Or "Tchaikovsky's first piano song."
我经常见到学生撰写的论文中提到,贝多芬的第五交响曲,或是柴可夫斯基的第一钢琴协奏曲
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Let's listen to the end of the polyphonic texture, then Beethoven, and we'll stop with this.
我们来听完这段复音织体,贝多芬,我们多说一点
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We have the difference between conjunct music with the and disjunct music and that perhaps adds to the unsettled quality of the beethoven Fifth Symphony.
我们发现存在着不同,当级进混合着跳进时,也许正是这样的处理突出渲染了,贝多芬第五交响曲中的不安氛围
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Well, we've got a skippy Beethoven music but here with Tchaikovsky he's coming down, just straight down, down consecutive intervals there for the most part.
我们听过贝多芬的曲子,非常跳跃,但在柴可夫斯基的乐曲里,音高急转直下,动机部分连续出现音程下降
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Seems very simple, but took Beethoven a long time to iron all this out and make this perfect melody, the prototypical melody in a way.
似乎很简单,但是花了贝多芬很长时间来琢磨,最后做出这段完美的旋律,这段典范旋律
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Let's turn to a piece of Beethoven now, his Symphony number Six, the Pastoral Symphony.
让我们现在来听一点贝多芬，他的第六交响曲，田园交响曲。
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Here's a good example of a minor from the second movement of Beethoven's Third Symphony.
这有一个小调的好例子,来自贝多芬第三交响乐的第二乐章
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Whereas the--if I take the rhythm out of the Ninth Symphony really Beethoven there is just going up and down a scale so it's very conjunct.
无论哪里,如果我将第九交响曲的,节奏单挑出来,你就会发现贝多芬这里,仅仅是一个个升或降的音阶,这是级进的典型例子
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Let's just, by way of refreshing our memory, the beginning of Beethoven's Fifth Symphony.
让我们唤醒自己的记忆,温习贝多芬第五交响曲的开始乐段
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We're going to focus now on some passages where we can do it, and we're going to see how Beethoven is setting up some chord progressions here.
我们现在准备将注意力集中到我们可以找到的那些乐章上，来看看贝多芬如何进行和弦的。
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I'm trying to remember.I think actually it's in the same key as Beethoven.
让我想想，我记得它的调性应该和那首贝多芬是一样的。
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So how does Beethoven go about making the Ode to Joy joyful?
那贝多芬是怎么把欢乐颂处理得那么令人,愉悦的呢
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Indeed, does anybody know the title of the Beethoven Ninth symphony?
谁能确切说出贝多芬,第九交响乐的名字吗
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If I had been writing it-- What did Beethoven do here?
不知我写下这段没有,贝多芬在这里做了什么
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We've sort of gone from the Beach Boys to Beethoven here.
我们好像从沙滩男孩一下跳到了贝多芬。
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