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If so,how many chords are involved in this chord change and are they changing at a regular or irregular rate?
是否有和弦的转变，这次和弦转变一共用了多少和弦,他们的变化率是规则还是不规则的？
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Once we get up there, that's sort of the end of the antecedent phrase and we have a chord change.
前分句在这个高音部分结束，那是前分钟的结尾和弦发生转变。
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Does the violin play a chord and are the trumpets-- each trumpet playing a chord and the viola--is it playing a chord?
小提琴弹和弦了吗，那些喇叭呢-,或说每个喇叭都吹和弦了吗，还有中提琴，它也有和弦吗？
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The amount of time that each chord is holding is getting shorter and shorter and shorter as we drive into that cadence.
每个和弦持续的时间变得越来越短,越来越短，将我们带进这一段音乐的终止式。
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These other instruments are filling in these things at various spots to produce this aggregate of the chord.
这些不同的乐器在不同的点上聚合成了一个和弦。
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But if you were to look at what the YSO has on its stands nobody's playing the chord.
而如果你听的是约克交响乐团的演奏时会发现没人在演奏和弦。
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You knew it was time to start clapping as soon as that chord hit that, it stopped going back and forth,tonic,dominant,just sitting there.
你知道在这个和弦出来的时候要拍手，然后停下来，来回的行进，而主音，属音，然后保持住。
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If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
如果某一个和弦持续的时间是其他和弦的两倍或者只有一半，这就是不规则的和声改变。
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When you start getting inversion, "what note is it,what chord is it, " that obfuscates the issue.
当你感觉纠结于，这是什么音符，那是什么和弦，那你就是把这个问题搞糊涂了。
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Now just working with the four-note motive here-- A strange little dissonant chord there resolving to consonance.
现在四音符的动机出现,这有一段有点不和谐的和弦,解构成和谐音
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Most frequently, chord changes come on the downbeat so composers signal to us in a fourth way the downbeat by means of chord change.
通常,和弦的变化都在重拍上,所以作曲家们用这第四种途径,通过和弦的变化告诉我们重拍的位置
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See if you can determine how many chords we have here--whether we have a chord change.
看看你能不能听出这里面有多少有多少和弦，是否有和弦的转变。
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Yeah,it's regular, and with-- each chord was holding for two beats there in duple meter.
对，这是规则变化，每个和弦都维持两拍，这里一小节两拍。
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We've heard I guess it was Badly Drawn Boy--Boys there with a two-chord chord progression.
我们已经听过貌似是涂鸦男孩，他们是二和弦进行。
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If he's going to sit there on one chord for that amount of time, it's going to go on for a long period of time.
既然作曲家能放任一个和弦行进这么久，他一定有的是时间。
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If I said "chord progression"--I think we have that term up on the board today.
当我说和弦进行，我想今天我在黑板上写过这个词。
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By regular rate we mean that the amount of time that each chord holds is exactly the same; every chord holds for the same length of time.
如果变化频率规则，那么和声中每个和弦持续的时间长度是完全相同的;,每个和弦都持续同样长的时间。
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We're going to focus now on some passages where we can do it, and we're going to see how Beethoven is setting up some chord progressions here.
我们现在准备将注意力集中到我们可以找到的那些乐章上，来看看贝多芬如何进行和弦的。
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Now we're going to hear Beach Boys, IV I guess,with a three-chord chord progression and it's going to be sub-dominant , V dominant , I tonic .
而现在我们来听听貌似是沙滩男孩，三和弦进行，然后将会是次属音，属音，和主音。
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We'll sit on the dominant chord for eight beats and I will look over and everybody else will come back in at the end of Chris's solo."
主和弦占八拍,然后我会见机行事,在克里斯的独奏结束时大家回到主调
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Yeah. Well,not just the chord progression but also the structure of the piece.
是啊，嗯，不仅仅是和弦，而且曲子的结构在行进中。
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Every time they're changing your hand is going down so chord changes may be the most powerful of all of these aspects of where the down beat is.
他们变化的时候你的手势都是向下的,所以在所有的途径当中通过和弦的变化,来判断重拍在哪儿可能是最有效的方法
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So it has a kind of antecedent-consequent phrase structure with the chord.
这里像是一个前后分句的结构，配上和弦。
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Anybody want to do--what's your understanding of what a chord progression is?
你们是怎么理解和弦进行的？
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So this one happens to begin with a sort of dominant chord.
所以这段是从某种属音和弦开始的。
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They're just playing individual notes that all together form a chord.
他们只是单独演奏分开的音符然后全部组成一个和弦。
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And we will then get over to here, where he's sitting on the tonic chord, and we want to see how long he's going to hold this tonic chord. Okay?
接着再到这里来，他停在了主音和弦上，然后我们想看看他会在主音和弦上保持多久，好吧？
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A major chord or a minor chord as opposed to?
大和弦或者小和弦是相互对立的吗
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