That's why the poem, the lyric poem, is privileged among the forms of literary discourse in the New Criticism.
这就是为什么诗,一首抒情诗,在新批评派眼里要优于其他各种文学形式。
I feel like I need to prepare myself for a lot of negative criticism for it
我觉得我得做好接受负面批评的准备,
That is to say, what we're taking up this week, is as much really the history of criticism as literary theory.
也就是说,我们这周要讲的,与其说是文学理论,不如说是文学评论的历史。
He responds in the second paragraph of the letter in the left-hand column of the packet to this criticism that he's doing so little.
他在信左手边的第二段,对他做的如此至少的批评作出了回应。
I was happy because I had at last found a way to throw my criticism of him into his face.
这让我很开心,因为终于找到对抗他的方法了。
I mean, I don't know, I don't know the criticism... Yeah, I think they would say that.
别介意,我也不知道到底会面临什么样的批评。。。,是的,我觉得会有人这么说。
They,also,tried to come up with the correct Greek text of the New Testament documents,by doing textual criticism.
他们还通过校勘,得到了正确的希腊语新约原文。
While I'm busy pointing out ways in which the argument doesn't succeed, I also want to just take a moment and mention that premise two is also subject to criticism.
当我竭力指出,为什么这种论证无法成功时,我也想要花点时间,顺便说说前提二也不能免于批评
The same criticism applies to the United States as well.
同样的批评也可以用在美国上。
And that's a serious ethical criticism.
这是一个很严重的道德指责。
There we see in Book II Aristotle offering his criticism of the claims for the sort of excessive unification of centralization concentration of property.
我们在第,II,册中看到,亚里士多德提出了这个评论,针对过度要求,集中一致性,集中财产的主张。
Aristotle is considered the "father of criticism," and yet he is also what Foucault would call a "founder of discursivity."
亚里士多德被认为是批判学之父“,但他是福柯承认的话语学奠基人“
All right. Now the question, "How does literary theory relate to the history of criticism?"
现在我们来思考这个问题:,“文学理论和评论的历史有什么联系?
That makes the subject matter that we'll be discussing this week, as I say, as much a part of the history of criticism as it is of literary theory.
这样一来,我们这周的内容就变得至关重要了,就像我说过的那样,我们将学习到文学理论方面,乃至评论史上重要的一章。
You may have noticed in your Wimsatt essay that there is a footnote to somebody named Joel Spingarn who wrote an essay called "The New Criticism" in 1924.
你们可能还注意到了,上一篇关于文萨特的文章中,有一个脚注提到了一个叫乔·斯宾加恩的人,这个人在1924年写过一篇文章也叫做《新批评》
Literary theory loses something that literary criticism just takes for granted.
有一样东西在文学评论是理所当然的,而文学理论却没有。
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