Now given this, the romance frame of Milton's Comus, - we're not surprised actually to see -- even though we don't see at the end her actually getting married, we're not surprised to see the Lady in this speech embracing the form of chastity that promises something like an eventual turn to marriage.

这样看来，弥尔顿《科玛斯》的传奇结构，我们实际上并不诧异看到-,虽然我们没有看到她最终结婚了，我们看到这个演说的女士,拥护承诺像是最终转向婚姻的贞节时,并不感到诧异。

耶鲁公开课 - 弥尔顿课程节选

That was the eventual message that I got, but it was sort of, it was not on the surface, it was not obvious, because the story, the two movies were sort of sad... ? Anybody want to say something about it?

这就是我得到的最本质的信息，但因为这两部电影都有些伤感，以致这些信息都是隐晦的，不是一眼能看出来的。,还有人想对此说些什么吗？

麻省理工公开课 - 电影哲学课程节选

I can only imagine though, at this point in the semester, what will become Milton's eventual championing of marriage is pretty hard to imagine, in part because we're just devoting our second class to a literary work given almost entirely to the virtue of chastity.

然而我只能认为，在学期的这个时候，什么将成为弥尔顿婚姻的最终捍卫者,一定难以想象，一部分是因为,我们的第二节课一直在讨论,关于贞洁的美德的作品。

耶鲁公开课 - 弥尔顿课程节选