I hope you will keep on saying it, but I hope you will say it as an artist, as in Native Son. So Faulkner's objection is on the other side.

希望你会继续讲下去，但要以艺术家的身份讲下去，就像在《土生子》里面那样”

耶鲁公开课 - 1945年后的美国小说课程节选

Faulkner wrote about this too in that immortal character he created in Thomas Sutpen in Absalom, Absalom!

福克纳同样写过这样的内容,那就是,《押沙龙,押沙龙》中的托马斯·塞德潘

耶鲁公开课 - 美国内战与重建课程节选

This is what William Faulkner wrote to Wright upon reading Black Boy.

读完《黑孩子》之后给莱特写的。

耶鲁公开课 - 1945年后的美国小说课程节选

Faulkner captured this, Faulkner captured this all over the place.

福克纳抓住了这种情绪,他所有的文章都弥漫着这种情绪

耶鲁公开课 - 美国内战与重建课程节选

But I have a favorite line in his novel called The Hamlet, where Faulkner has one of his characters say, and I quote: "Only thank God men have done learned how to forget quick what they ain't brave enough to cure."

但我最爱他在小说《村子》里的一句话,他笔下的一个角色说道,"感谢上帝,让人类学会了怎样,迅速的忘记那些我们没勇气面对的事"

耶鲁公开课 - 美国内战与重建课程节选

That's another one of those sentences by Faulkner that sort of captured this spirit of Alabama Fever, as it was called, in the 1820s and '30s, and Mississippi Fever in the 1830s, Louisiana/Texas Fever by the 18 well Louisiana Fever is even earlier--but Texas Fever by the 1840s.

还有福克纳写的另一部作品,作品谈到了十九世纪二三十年代的,圈地狂潮,在阿拉巴马州,十九世纪三十年代的密西西比,在路易斯安那州和德克萨斯州,路易斯安那州圈地潮相对出现得更早,德克萨斯州圈地潮是在十九世纪四十年代

耶鲁公开课 - 美国内战与重建课程节选