You'll find in Renoir but Renoir's humor is even subtler than Hitchcock's I mean, it's more subtler than Hitchcock.

你们可以找到大量的幽默,在雷诺的电影里,但是雷诺的幽默比希区柯克的更微妙。

麻省理工公开课 - 电影哲学课程节选

So it isn't that Hitchcock is not capable of writing of subtlety He knows everything he does.

所以不是希区柯克,不能写出很微妙的东西,他知道他在干什么。

麻省理工公开课 - 电影哲学课程节选

And, finally frustrated, Hitchcock went to the actor, leaned over, whispered in his ear, "Your parents have left you " and they're never coming back."

最后他沮丧极了，走到那个小演员身边，俯下身子凑到他耳边说，“你爸妈刚把你丢在这了,他们再也不回来了“

耶鲁公开课 - 心理学导论课程节选

This is Mrs. Hitchcock in the train; it's Haze bumping into Mrs. Hitchcock: Going around the corner, he ran in to something heavy and pink.

就是Haze在火车上;,碰见Hitchcock太太的地方：,“Haze转过角落时，撞上了一块笨重的粉红色物体。

耶鲁公开课 - 1945年后的美国小说课程节选

But it's not, you're right, it's not as full and powerful device as comedy and humor're in Hitchcock It's a great deal of humor.

喜剧因素,但是，没错，和希区柯克影片的喜剧和幽默比,这些不够饱满和有力度。

麻省理工公开课 - 电影哲学课程节选

But in this class we're gonna approach it in a completely different way, and learn a lot more about the film that, things that Hitchcock put in there.

但在这堂课上我们将要,从一个完全不同的角度来看这部电影，并从中学到很多希契科克，倾注到里面的东西。

麻省理工公开课 - 电影哲学课程节选

This could be illustrated with a story about Alfred Hitchcock.

阿尔弗雷德·希区柯克的一个故事,很好地阐释了这个道理。

耶鲁公开课 - 心理学导论课程节选

There's a whole, a-75-page chapter on Hitchcock which is crucial in the book, we'll explain all that to you And in the first chapter on Hitchcock there's a considerable discussion of Psycho.

关于希契科克的那一章有75页之长,在这书中是关键的一章，我会给你们讲解,在关于希契科克的那一章里,有很多对于《精神病患者》的论述。

麻省理工公开课 - 电影哲学课程节选

Hitchcock said, "Roll'em" and filmed the kid.

希区柯克说“开拍“，录制顺利进行。

耶鲁公开课 - 心理学导论课程节选

It was Mrs. Hitchcock in a pink wrapper with her hair in knots around her head.

一身粉色的Hitchcock太太,她的头发打了发髻,气喘吁吁地咕哝道。

耶鲁公开课 - 1945年后的美国小说课程节选