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The martyrs in the Easter Rebellion of 1916 become ancient Irish warriors, and we'll talk about that next time.
916年复活节起义中的烈士6,化身为古代爱尔兰骑士，这个我们下次课再谈。
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And there's also an Irish priest, Saint Brandon... Saint Brandon? Father Brandon?
有一个爱尔兰的神父，叫圣•布兰登...... 圣•布兰登？神父布兰登？
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Aengus is the Celtic name, the Celtic master of love a certain kind of Irish version of Apollo.
安古斯是个凯尔特名字，是爱神,是爱尔兰的阿波罗。
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In fact,one of the great Bordeaux wines is called Lynge Barge, lynge as in lynch,which is an Irish name.
其实,有种波尔多葡萄酒就叫林格巴格,林格就是林奇,是个爱尔兰名字
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And the reinvention in the nineteenth century of British identity will also have a lot to do with fear of the Irish, "The enemy within," As they were perceived.
十九世纪英国民认同感的重建,和对爱尔兰的惧怕也有很大关系,"家贼难防",他们是这样看待爱尔兰的
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I'm not Scottish. I'm not Welsh. I'm not Northern Irish. I'm English.
我不是苏格兰人，我不是威尔士人。我不是北爱尔兰人。我是英格兰人。
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I'm a half, yeah. I'm half Japanese and half Irish.
我是日本和爱尔兰的混血儿。
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Misunderstood as a satire on the Irish peasantry, Yeats's production of the play led to riots in 1909.
被误解为对爱尔兰农民的嘲讽，此剧引起了1909年的暴乱。
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If Yeats's book was so explicitly Irish, look at this book.
如果叶芝的书是如此精致的爱尔兰化的话。
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Pearse is seen as, in Yeats's poetry and in popular lore, as Cuchulain, as a kind of avatar of the mythic Irish hero.
在叶芝的诗里皮尔斯被看作是，民间传说中，的英雄王库丘林，是爱尔兰神话里下凡的天神。
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In a sense, the earlier poem, "The Song of the Wandering Aengus," transformed the Irish landscape into a place of myth, in the same way that the poem is describing the transformation of the trout into the girl.
从某个角度讲，这首早期诗歌，流浪者安古斯之歌“,把爱尔兰变成一块神秘之地，这和把鳟鱼变成少女的转变,是一样的描写手法。
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Yeats bridges Irish and English cultures, and he is importantly Protestant with social and family ties to English life.
叶芝连接了爱尔兰和英国文化，作为新教徒，他和英国,在社会和家庭方面联系紧密。
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This is an important phase of his career, when with the help of Lady Augusta Gregory and John Synge, Yeats tries to establish an Irish national drama.
这是他人生中重要的时段，在奥古斯塔格雷戈里夫人,和约翰辛格的帮助下，叶芝尝试爱尔兰民族戏剧。
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Yeats, I said, wanted to speak for and to the Irish people, as well as to explain Ireland and Irishness to an English-speaking world abroad.
我认为，叶芝，想为爱尔兰人写诗，并把爱尔兰及其民族特色,介绍给整个英语世界。
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Look at line fifty. This is where Milton asks the ocean nymphs where they were when Edward King's boat was lost ? while crossing the Irish Sea: why didn't you do anything?
看第50行，这里弥尔顿问海洋女神们,爱德华·金的船在穿越爱尔兰海途中失事的时候,她们在哪里：你们为什么不救他？
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This is Yeats in costume, costumed as a figure from Irish myth, as an ancient bard, mad King Goll, which is the furthest thing from a modern poet.
穿着奇装异服的叶芝，打扮成爱尔兰传说中的人物，过去的吟唱诗人，疯癫的郭尔王，他与这位现代诗人相隔甚远。
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