• The Independents resented the new authoritarianism of the Presbyterians, a relatively new phenomenon on the English cultural landscape.

    无党派对长老派的独裁主义非常憎恨,一个相对新的在英国历史现象。

    耶鲁公开课 - 弥尔顿课程节选

  • I mostly enjoy shooting wildlife and outdoor recreation, landscape, stuff like that.

    我一般喜欢照野生动物、户外活动、风景这一类东西。

    拍照的理由 - SpeakingMax英语口语达人

  • I want to now move down a little bit and observe how landscape is presented to us.

    现在我想往下看一点,观察一下四周场景,是怎样的呈现给我们的。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It seems that Lawes himself actually played the role of the attendant spirit, that beneficent, slightly frightening figure who hovers over the entire landscape of the mask.

    看起来好像,劳斯自己扮演了跟班精神,那善行微妙地,让那些参与《面具》创作的人员产生了恐惧。

    耶鲁公开课 - 弥尔顿课程节选

  • The corn to ethanol conversion in the United States, and other things like that has really changed the world landscape in a lot of interesting ways.

    在美国,很多类似于玉米制乙醇的技术,正以有趣的方式,改变着我们的世界

    耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

  • And so it changes the whole competitive landscape.

    所以这改变了整个竞争格局。

    斯坦福公开课 - 戴尔CEO-Michael.Dell谈创业和发展课程节选

  • Another pairing, this wonderful landscape by Martin Johnson Heade, and we could contrast it with these images of Brooklyn Bridge by Walker Evans, or even underneath the bridge.

    另外两幅是马丁·约翰逊·海德画的精美的风景画,我们可以把它和埃文斯的,“布鲁克林桥“相比较,或者是桥下面。

    耶鲁公开课 - 现代诗歌课程节选

  • It's also a landscape that is full of pigs, wandering pigs, so if the people are wandering through this road, the pigs are equally wanderers throughout these fields.

    这是一个到处是猪,到处是游荡的猪的场景,当人们在路上漫步时,这些猪也在田野里四处穿梭。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Inutile loveliness" is kind of the key word of Nabokov's technique, and he says the novel has as its only purpose to provide aesthetic bliss. So, here is inutile loveliness coming just from seeing the landscape as a stranger.

    无用的可爱“是纳博科夫技巧的一个,关键词,他说小说只有一个目的,那就是提供,美学狂喜,所以这里的“无用的可爱“,是把风景当做一个陌生人看待。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We have to pair that with that other evocation of the landscape to see this alternate idea, that actually this distanced criss-crossing of the landscape could be damaging. Think of those other violent knight's moves, like skipping past the mother's death.

    我们得把关于风景的另一个回忆组成一对去理解,这个额外的想法,这个疏远的,十字纵横的景色描写可能是毁坏性的,想想其他的暴力的,迂回前进,比如跳过母亲死亡的方式。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So if the landscape invites him to grow as an imaginative person, the social world he lives in, this episode signals to us immediately, will never live up to that imagination.

    假如生活氛围使他,成为一个充满想像力的人,那么他所处的社会就是这一时期,这会让我们马上感到,那种想象永不可能成真。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, so far the American landscape is already a work of art, already part of a European memory. Then something else happens: "But gradually the models of those elementary rusticities became stranger and stranger to the eye, the nearer I came to know them.

    至此关于美国景色的回忆已经是一件艺术品了,已经包含一部分欧洲记忆,之后发生了一些事:,然而渐渐地,我越熟悉那些田园风光的基本模式,越看它们越觉得陌生。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But boy, if you think about your advertising landscape?

    但同学们,想想你们看过的广告

    耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

  • So these moments of landscape description offer up that consistently Christian-inflected theory of the universe, that sense of transcendence as structure, as something that's moving inexorably, that will take all time to complete.

    通过这些景象的描述,我们可以看到一种,一直受到基督教影响的,关于宇宙的理论,这种理论以超自然的感觉为主体,就像一些不为人的意志而转移,需要我们穷其一生去完成的事。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So the nutrition landscape and the physical activity landscape is changing and is sweeping way across the world.

    营养和人类日常活动的范畴已日渐改变,且该影响已经席卷全球

    耶鲁公开课 - 关于食物的心理学、生物学和政治学课程节选

  • So what do we notice about this landscape?

    对于这个场景,我们看出了什么?

    耶鲁公开课 - 1945年后的美国小说课程节选

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