• The other way it shares an ambition of modernism is precisely in that effort to communicate experience, consciousness.

    它与现代主义追求的另一个共同点,正体现在经验和意识的交流上。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, now, here's just a list for you: eight features of literary modernism that are all important to Nabokov.

    现在我给大家一张列表,上面列举了八项对纳博科夫非常重要的文学现代主义的特征。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Another key event in the making of modernism is the great migration of African-Americans from the rural south to the urban north.

    现代创作的另一个重要事件,是非裔美籍从南部乡下,往城市化的北部的大移民。

    耶鲁公开课 - 现代诗歌课程节选

  • Ideas like this, as I say, are taken from the aesthetic and practical thinking about the nature of the work of art that one finds in Modernism.

    这种观点,来自对,现代主义作品美学和实际的考虑。

    耶鲁公开课 - 文学理论导论课程节选

  • So anti-modernism and honor are two hooks you can hang your hats on.

    反现代,要面子,是南方人两大特征

    耶鲁公开课 - 美国内战与重建课程节选

  • So, that's one aspect in which it shares something with modernism, even though stylistically, and as a matter of craft and composition, it looks very distinct.

    这是它涉及到现代主义的一方面,即使是从文体上,以及写作技巧上,它也是很独特的。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Modernism in Eliot and Pound is, in some ways, founded on expatriation, on a kind of internationalism.

    艾略特和庞德的现代主义在某种程度上是,建立在他们被驱逐国外后的一种国际主义。

    耶鲁公开课 - 现代诗歌课程节选

  • The magazine, in many ways, announced and facilitated Eliot's rise to a kind of cultural authority as a taste maker, and with it certain ideas of modernism.

    在很多方面,这本杂志宣告并且促进了艾略特的崭露头角,把他上升为一个测定文化品位的权威人士,同时也预示了杂志本身关于现代主义的一些思想。

    耶鲁公开课 - 现代诗歌课程节选

  • There's a kind of, well, masculinism in Yeats, and it's part of what I meant last time when I spoke of Yeats's anti-modernism or his reactionary modernism.

    叶芝有点大男子主义,我上次提到叶芝反对,现代主义是就在指这点。

    耶鲁公开课 - 现代诗歌课程节选

  • So even though he's very closely connected to the legacy of avant-garde modernism, he's also connected to a social realist strain, the naturalist strain.

    虽然怀特,与前卫现代主义的传承,有千丝万缕的关联,但他仍具有现实主义。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Eight features of literary modernism: An obsession with the idea of art's autonomy, the idea that art is its own law, that it responds to no other laws, that it has no other purpose than its own purposes.

    第一,对艺术意志自由问题的困扰,对艺术是自身的法律,它不响应其他准则,它只有本身这唯一的目的,也就是说。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So this advertisement tells you that the great classic of modernism is something you stride into like a man, but you don't have to be a particularly extraordinary man to do so.

    这广告告诉你们现代主义的伟大经典,在于让你们如男人一样勇敢地投入阅读,但你不一定非得成为特别出众的人来阅读。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In the second half of the twentieth century and up now into the twenty-first century, writers were thinking very hard about what to do stylistically with all the innovations that come in that powerful period known as modernism.

    自二十世纪下半叶,直至现今二十一世纪,作家都在努力思考在现代主义影响,深远的这个时期里该怎样进行文体上的创新。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • This is not the craftedness of modernism.

    这不是现代主义的精心制作。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now I want to really clarify for you what I mean by this term "modernism." It just means the art and literature of the early twentieth century, especially the "high art," although its roots are definitely in the nineteenth century, especially the French nineteenth century, fiction and poetry.

    现在我特别想向大家解释清楚,“现代主义“到底是什么意思,它其实就是指,20世界早期的艺术和文学作品,特别是高雅艺术“,尽管它起源于19世纪,特别是19世纪法国的小说和诗歌。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It's a late Victorian image of an archaic singer rendered in the melodramatic manner of Pre-Raphaelite art and thoroughly removed from the aesthetic values of modernism, such as naturalism, formal clarity, emotional restraint and so on.

    这是维多利亚时代晚期古代吟唱诗人的肖像,用戏剧化的前拉斐尔派,风格表现,完全摒弃了,现代主义的审美观,比如自然主义,形式明确,感情自制等等。

    耶鲁公开课 - 现代诗歌课程节选

  • I think the sort of skepticism I mean arises from what one might call and what often is called modernity not to be confused with Modernism, an early twentieth-century phenomenon, but the history of modern thought as it usually derives from the generation of Descartes, Shakespeare, and Cervantes.

    我所说的怀疑主义,产生于我们通常说的现代性,不要与20世纪早期的,现代主义搞混了,现代性是现代思想的历史,始于笛卡尔,莎士比亚和塞万提斯一代。

    耶鲁公开课 - 文学理论导论课程节选

  • So, that is something these writers share with modernism, but there is one big difference and I want to exemplify that for you just by reading to you two parallel texts, one from the modernist canon and one from the Beat canon.

    所以,这就是这些作者和现代主义的相似之处,但其中有个很大的区别,我想通过举例来说明,我给你们读两段类似的文字,分别是标准的现代主义风格和垮掉的一代的风格。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • But if there's one thing and this is a little risky because there are always holes in any claim like this but if there's one distinct feature of the Old South society and indeed its leadership and most of its people, it would be what we might label anti-modernism.

    但有一点,具有一定的风险,因为任何论点中都会有漏洞,如果说旧南方社会,的领导层和大部分人民,都有一个显著的特点,那就是在我们看来,他们是反现代的

    耶鲁公开课 - 美国内战与重建课程节选

  • And modernism is all about verticality,from a certain angle.

    现代主义是从固定角度来看是直立的。

    耶鲁公开课 - 现代诗歌课程节选

  • At the same time, I do mean to give you some sense of the period in which they're writing, some sense of modernism as a field, as one of the richest fields in English language writing.

    同时,我也会给你们提供一些背景知识,来了解作者创作的年代,以及现代主义的思想领域,就其作为英语文学创作最丰富的领域之一而言。

    耶鲁公开课 - 现代诗歌课程节选

  • There's an extraordinary sense of verbal chaos, a kind of word hoard that modern poetry and modernism -generally, a kind of linguistic environment of great complexity from which modern poetry and modernism emerge.

    这里关于口头言论的混乱有一种独特的理解,关于现代诗歌和现代性的隐藏理解,总之,是一种关于语言环境的庞大复杂性的理解,现代诗歌和现代性即是由此产生发展。

    耶鲁公开课 - 现代诗歌课程节选

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