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And musical notation is relied on more in Western music than any other musical civilization around the world.
而音乐记谱法在西方音乐中更受倚重,比在全世界其它音乐文明中地位更高
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That made it very beautiful and there's no way in God's earth that we could replicate that to the Western system of musical notation.
那使得它十分美丽,我们却没有任何办法,用西方的乐谱方法,再现这样的音乐
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They do, but it doesn't intersect quite as intensely as musical notation does in Western cultures.
他们的确有,但他们的记谱法并没有贯穿文化的始终,比不上音乐记谱法在西方文化中的地位
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Most cultures around the world, if you stop and think about it, don't use musical notation.
很多世界上的其他文化,如果你停下来想想,并不使用音乐记谱法
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Okay, a number of you. Young lady out there, did you use musical notation?
好的,相当一部分都有过,这位年轻的女士,你用乐谱吗
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That's not to say that the Chinese don't have an esoteric form of musical notation, that the Indians do not have an esoteric form of musical notation.
这不是说中国人,没有秘传的记谱方法,也不是说印度人,没有秘传的记谱方法
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We said before that in Western music we have musical notation.
我们以前说过,在西方的音乐里有音乐记谱法
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Musical notation was the first graph in Western culture.
音乐记谱法是西方文化中第一种图示法
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You can't get through these conservatories like eastman or Juilliard or Curtis without being introduced to an intense regimen of musical notation but it would get in the way of the music.
如果没有受过严格的训练,是不可能从,诸如伊曼,朱莉娅德或者柯蒂斯,这样的音乐学府顺利毕业的,而这会妨碍到音乐本身
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So musical notation: the first grid pattern in Western culture-- but it does lock us in in interesting ways that we may-- you perhaps have never considered-- compared to how music is made in other cultures.
因此音乐记谱法,是西方文化中最早的网格图示,但这也限制了我们以某种有趣的方式,你们也许从来没有想过的方式创作,相对其他文化中音乐创作的过程而言
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The great architect, the thinker is the composer and the performer, the violinist, gets this piece of-- gets this blueprint or black print in the case of musical notation and is expected simply to replicate the black print.
伟大的建筑师,构想者,是作曲家,而演奏者,比如小提琴手,拿到这张,拿到这张蓝图之后,对音乐记谱法来说该叫,黑图,他只是被要求简单地把黑图复制出来
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So having said that about musical notation-- something about a cautionary tale about musical notation-- we should think about how it affects the way we compose music in the West and how we perform music in the West.
讲完记谱法的一些,足以为戒的故事之后,我们也该想一下,它是如何影响西方音乐的作曲方式的,以及如何影响西方音乐的演奏方式
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Musical notation is a particularly Western phenomenon and when you stop and think about it only we in the West, and by West what I mean is the United States and Canada and Western Europe and Russia, parts of South America, only we use musical notation and we use it principally for our high art music.
音乐记谱法是西方所特有的,你可以停下好好想想,只有我们这些土生土长的西方人,所谓西方,我指的是美国,加拿大,还有西欧和俄罗斯,包括一部分南美国家,只有我们使用音乐记谱法,并且我们把音乐记谱法应用于高雅音乐
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Well,if you go back to the formation of musical notation from the ninth through the twelfth centuries we see that very early on these two dimensions of music the two axes of music that we talked about before pitch vertically and duration horizontally, are in place and we have these spots in this grid.
回顾一下从公元九世纪至二十世纪,音乐记谱法的历史形成过程,我们可以看出,音乐的两个维度,就是我们之前提到的音乐的两个轴,纵轴是音高,横轴是时值,在早期已经存在了,我们在这样的网格上用点记录
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