• So, I'm moving from the question of "What does America look like; what's the mythic vocabulary that Sal is using?"

    这里我要从,“美国看上去像什么?,萨尔使用的神话词汇有哪些“,的问题跳到“

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So, first he makes America mythic, rather than specific , and then he enters into that mythology through acts of identification.

    他是首先将美国赋予神话色彩,而不去将它具体化,然后他通过寻找自我认同感的行为进入了自己的神话。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Yeats takes on self-consciously staged identities, requiring costumes, and he sees other people in similarly theatrical and mythic terms.

    叶芝扮演这些舞台身份时,觉得不自然,总需要乔装一番,他看待别人也是用同样的,戏剧和神话的术语。

    耶鲁公开课 - 现代诗歌课程节选

  • Levi-Strauss is repudiating the father and, in repudiating the father, showing himself to fall into the very mythic pattern that Freud had been the first to analyze.

    列维否认了父亲,在否认父亲的同时,也掉入了,弗洛伊德首创的神话分析模式。

    耶鲁公开课 - 文学理论导论课程节选

  • The most important is that Yahweh's battle is a historic battle, rather than a mythic battle. The sea is not Yahweh's opponent, nor is Yahweh's enemy another god.

    最重要的一点是,耶和华的战斗,是一场历史意义上的,而不是神话意义上的,大海并不是耶和华的敌人,也不是其他神的敌人。

    耶鲁公开课 - 旧约导论课程节选

  • But, as you've seen, the mythic quality of America has pushed Komfee Kabins all of that aside.So,it's not just the Komfee Kabins that we don't see; it's the whole history of slavery.

    但就像你们看到的,美国的神话这一要素将,那些都推到了一旁,所以这不是我们看不见;,这涉及整个奴隶制的历史。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • That is to say, it participates in the mythic way of thinking about things.

    也就是说它参与了,以神话的方式思考事物的过程。

    耶鲁公开课 - 文学理论导论课程节选

  • Pearse is seen as, in Yeats's poetry and in popular lore, as Cuchulain, as a kind of avatar of the mythic Irish hero.

    在叶芝的诗里皮尔斯被看作是,民间传说中,的英雄王库丘林,是爱尔兰神话里下凡的天神。

    耶鲁公开课 - 现代诗歌课程节选

  • Now, if we have any doubts that On the Road is mythic in itself, I just want to show you quickly two things. In 2007, On the Road had its fiftieth anniversary of publication.

    现在如果还有对这本小说虚构性有所疑问,我想要迅速地让向你们展示两件事情,2007年是《在路上》出版的十五周年。

    耶鲁公开课 - 1945年后的美国小说课程节选

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