In this respect it would resemble Spenser's Faerie Queene, or perhaps more importantly, Virgil's Aeneid -- other nationalist epics.

这样的话它就会与斯宾塞的《仙后》，更重要的，维吉尔的《埃涅阿斯记》等一些民族主义史诗相类似。

耶鲁公开课 - 弥尔顿课程节选

While Milton decided against writing an explicitly political nationalist poem, he did see himself as writing a poem that performed some kind of political function.

尽管弥尔顿决定要写的不是,有政治性的民族主义诗歌，他也让这首诗,发挥了一定政治作用。

耶鲁公开课 - 弥尔顿课程节选

It also makes the anti-nationalist, the English or pro-English or unionist, case.

它也为反民族主义者说了话，即那些支持联合统治的人。

耶鲁公开课 - 现代诗歌课程节选

John C. Calhoun, one of the great intellectual architects of Southern distinctiveness or Southern sectionalism, and certainly of Southern States' Rights doctrine, was very much an American nationalist, at least in the early parts of his career.

约翰·卡胡恩,最重要的南方特性学,或南方地方主义知识体系建构者之一,当然也参与了南方各州的权利学说的构建,他是一个典型的美国民族主义者,至少在他职业生涯的早期是

耶鲁公开课 - 美国内战与重建课程节选

Milton -- and we know this -- Milton was a political revolutionary, and when he anticipated writing the great poem, he consistently imagined that it would be a poem on a nationalist theme.

弥尔顿--我们知道--是个政治革命家，一直以来他所预想的这首伟大诗歌，的主题应该是民族主义的。

耶鲁公开课 - 弥尔顿课程节选

But by the time Milton begins writing his epic, he abandons his plan for a nationalistic poem, a nationalist poem, and decides instead to use the subject matter that he had been intending for that prospective tragedy, Paradise Lost.

当弥尔顿开始写史诗的时候，他放弃了原来写民族主义诗歌的计划，转而决定用他本来打算写的悲剧,《失乐园》的主题。

耶鲁公开课 - 弥尔顿课程节选

The footnote to your Norton here suggests that the gazebo is a summerhouse and by extension it's quite an extension the nationalist movement, and then, "even the whole temporal world."

书上的注释说,楼台指的是凉亭,可引申为民族主义运动，“甚至整个现世世界“

耶鲁公开课 - 现代诗歌课程节选

It's a little hard to know what to do with this gazebo. Does it, in fact, represent the nationalist movement that culminated, or one form of which culminated, in the Easter Rebellion?

这个楼台还真的很难理解,难道它实际上代表了，以复活节起义告终的，民族主义运动，或者其，一种形式因之告终？

耶鲁公开课 - 现代诗歌课程节选