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But this headnote goes a lot further simply than that: "And by occasion foretells the ruin of our corrupted Clergy."
但是这篇眉批要表达的不仅仅是这个：,“同时也预示了腐朽的教会的溃败“
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or a bolero jacket or something for a special occasion.
或者一件短上衣夹克，或者一些特殊场合需要的东西。
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And from time to time, particularly in section discussion, you will have occasion to consider the ways in which sometimes in very contradictory ways--over the centuries.
在课堂讨论中，大家需要不断地去考虑,有时候甚至可能是持续几个世纪的完全相反的说法。
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You remember Sonnet Seven, "How Soon Hath Time," the sonnet that he had written on the sad occasion of his twenty-third birthday.
你们记得《十四行诗第七首》么，“时光飞逝,弥尔顿写给自己23岁生日那个悲伤的日子的十四行诗。
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They only had the occasion in a kind of formless matter upon which they could adopt and impose any form they took.
他们仅有的是,在一种无形物质中的机遇,在其中他们能采纳,并强加任何他们喜欢的形式。
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That doesn't, by the way, happen until 1934 when it became a kind of pronouncement of necessity at the International Soviet Writers Conference on that occasion.
直到1934年4,国际苏联作家会议,发表了类似的声明。
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So, you've got to get used to the notion of what will be given in general and what is tailor-made to the occasion.
所以你们要习惯这些符号,有些是通用的,有些只适合于特定情形
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There are two reasons, for the most part, why they are coming: they're coming to find poems that will be relevant, equal to the occasion of a death or a marriage.
主要有两个原因能解释为什么，人们访问美国诗人协会网站：,人们是来寻找一些诗歌，一些有关,死亡与婚姻等的诗歌。
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You're all very welcome to come on that occasion.
非常欢迎你们届时到场
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Bitter constraint and sad occasion are forcing him to write, even though, of course, he's not yet ready.
亲友的惨遇，痛苦的重压迫使他下笔，尽管如此，他还是没准备好。
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But first we need to establish a few things about the occasion for this piece and about the genre, the literary genre of the mask in general.
但首先我们必须建立一些,关于此作品与流派，一般文学体裁《面具》的场合。
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There's only one occasion where it helps to go to three dimensions because there are certain things you can do in 3D you cannot do in less than 3D.
只有一种情况下进入三维是有意义的,因为有些事情你能在三维空间内完成,但低于三维就做不到了
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King's death provides Milton with an occasion on which Milton is able to write the most personal poem that he has yet written and perhaps that he will ever write.
金的死给弥尔顿提供了一个契机,让他写出了那之前，或许那之后,所写过的最私人的诗作。
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So we have to assume that the occasion for this poem is some kind of question posed by John Milton, Sr., a question like, "To what end am I supporting you, Son?
我们可以假定这个诗的起因是,老约翰弥尔顿问小弥尔顿，“我到底为什么要资助你，儿子？“
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Who knows? Maybe we'll try on some other occasion, but for the moment I think you can see that in making remarks of this kind about a text one has shifted the attention from meaning to structure.
我们也许会在以后讲到它，谁知道呢，但是我想你们应该已经看出来,我们的重点已经从内容,转移到了形式。
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The essay that you read in its entirety for today, "Structure, Sign and Play in the Language of the Human Sciences," was delivered on the occasion of a conference about "the sciences of man" at Johns Hopkins University in 1966.
今天我们要读的是一整篇文章，名为《人文科学话语中的结构、符号和游戏》,这篇文章发表于1966年,在约翰普金斯大学召开的一个会议上，会议主题是“人类科学“
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But in the meantime it's probably on this occasion, once we accept them both as having come under the influence of the same form of linguistic thinking, to say a little bit about the similarities and differences that exist between Derrida and de Man.
但同时在这种场合下可能，一旦我们接受这俩概念，在受到同样的语言学思想的影响后,我们就能看到一些,德里达和德曼之间存在的相同点和不同点。
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