But the question is how are those of us of this generation, living that ethic out in the early 21st century?
但问题是,我们这代人如何,将在21世纪初的生活中体现这一道德?
It's a good sort of question that gets raised in such a problematic allusion: how do you set out to write an original poem within such a conventional genre like the epic?
对于这样一项有问题的引用,提出这些问题是很好的:,你怎么能开始写一篇标榜原创的诗作,却使用史诗这一传统的文体呢?
We finished Black Boy last time, and one of the big questions coming out of my discussion of that autobiography is: how do you manage the question of context in reading a novel or an autobiography--in reading any text?
我们上次讲完了《黑孩子》,在关于那部自传的讨论中随之而来,的一个重要问题是:,当你在读小说、自传或者其他文本时,怎么处理上下文?
We're running out of time. I have one more question.
恐怕我们时间不够了,我还有一个问题。
The crucial question is,what did you want out of survival?
关键问题是,你想从生存中得到什么?
So we're going to listen to a track out of John Kander's Chicago here, and the question that's at- in play at the moment is what's the meter of this cut from chicago?
我们先听一下约翰·肯德尔的作品芝加哥,中的一小段,边听边想一个问题,这个片段的节拍是怎样的,这个摘自芝加哥的片段
You might not want to know all of it and that's a really complicated question for an individual to figure out and a complicated question for society to figure out, what you want to make of available in the regard.
你不想什么都知道,这是个十分复杂的问题,无论是对个人,还是对社会都是如此,我们应该怎样控制它的使用范围
It could be the pair of none, none, it could be the pair of, you know, whatever the answer was that we put up there. That value comes back out and is now available inside the scope of Barnyard. OK. And Barnyard then uses that. Question?
也可以是,你知道,任何我们在这里得到的答案,这个返回的值在Barnyard范围内,就可以使用了,然后Barnyard就使用了这个值,有什么问题吗?
Putting aside,for the most part,the soul view, because I've argued that there are no souls-- although occasionally I bring it out just for the sake of comparison and contrast-- the main question we want to ask ourselves is how to choose between the body view and the personality view.
基本上可以把灵魂理论放到一边,因为我已经说过不认为有灵魂存在-,尽管有时候我会提到这个词,但那只是为了便于对比和比照-,我们要探讨的一个主要问题是,如何在两者之间取舍。
Now in the course of this, a student asked a very good question that I should have pointed out a long time ago, and that is: when an orchestra plays or an ensemble plays and they're looking at their music and they're reading their music, do they play a chord?
在这期间,我本该早就提起的,由一个学生提出的非常好的问题是,当管弦乐队演奏或合奏团演出时,他们各个盯着并读自己的那部分乐谱,他们奏出和弦了吗?
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