• Let's listen to John Kander sit on one pitch level and then suddenly raise the whole thing up.

    我们听到约翰·肯德尔选择了一个音高,然后突然升高了

    耶鲁公开课 - 聆听音乐课程节选

  • They'll have something going and then almost unbeknownst to you they will take that and lift it up in terms of the pitch content.

    他们会让音乐继续,然后出其不意,通过音高大小,来升华它

    耶鲁公开课 - 聆听音乐课程节选

  • The unsorted, and you have exactly the point I want to get to-- how come all the guys, sorry, all the people answering questions are way, way up in the back? Wow. that's a Tim Wakefield pitch right there, all right. Thank you.

    所有的同学,抱歉,所有的人们都是这么回答的,扔到后面,哇,这是一个Tim,Wakefield式的投掷啊,谢谢!,他完全正确,不是么?这比这小么?

    麻省理工公开课 - 计算机科学及编程导论课程节选

  • You can see them in the sopranos and altos up there and they just sit there on that pitch--a long note: one, two, three, four.

    你可以在高音与中音区看到他们,而且他们一直留在那个音高上,一个长音符,一,二,三,四

    耶鲁公开课 - 聆听音乐课程节选

  • So, given the set-up, you kind of feel what you're missing, you know, what this home pitch is-- the pitch to which you are gravitating.

    那么,根据规律,你发现缺点了什么,基本的音高是,那个吸引你的音高

    耶鲁公开课 - 聆听音乐课程节选

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