I think we're taken aback here. We're taken aback by the rude interruption in the otherwise seamless flow of the poet's lament.
在这点上我们被震惊了,被这种粗鲁的打断深深震惊了,否则诗人的悲叹将会天衣无缝的流畅通顺下去。
which totally goes against the stereotype of like "New Yorkers are mean, they are all like rude and everything."
和那种“纽约人很刻薄,都很没礼貌。”的刻板印象截然不同,
The only fingers with which he'll be able to hold his pen and write this poem are his forced fingers rude.
他能用来执笔写诗的手指,是他粗鲁的手指。
I could say you're a kind person or you're a rude person.
我会说你是好人,或者你是无礼的人。
And he says things to other people that are really rude.
他跟别人说话时都特别粗鲁。
She is really rude to me when I walk by.
当我走过她家的时候,她对我真是无礼。
Now we began Lycidas with an image of a poet who could only write this poem -- this is what we were told -with forced fingers rude.
现在我们带着一个只能创作出这首诗的诗人的印象,来看这首诗,手指粗暴的用力攥着。
Anything he writes is going to be forced, compelled - and with his forced fingers rude he violates the formal prosodic, the metrical, scheme of his elegy at its very opening.
他写什么都是被迫的,不得已而为之的,-用他这粗鲁的手指,他在这悼亡诗的一开头,就没能遵守写诗的韵律规范。
Yet once more, O ye Laurels, and once more Ye Myrtles brown, with Ivy never sere, I come to pluck your Berries harsh and crude, And with forc'd fingers rude, Shatter your leaves before the mellowing year.
我再一次来,月桂树啊,棕色的番石榴和常青藤的绿叶啊,在成熟之前,来强摘你们的果子,我不得已伸出我这粗鲁的手指,来震落你们这些嫩黄的叶子。
The poet's fingers by the end of Lycidas aren't forced or rude.
在的最后,诗人的手指并没有紧扣着。
It's this line, "And with forc'd fingers rude" - this is called a broken line or a half-line, and this broken line has been read, I think, rightly as Milton's indication to his reader that he's not even up to the task of writing a sonnet at this point.
是这句,“我不得已伸出我这粗鲁的手指“,-这叫做断裂句,或者半句,将这句理解为,弥尔顿向读者暗示他此时甚至,还不能写好十四行诗是正确的。
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