It has a goal, however, that's described in that last stanza.
但却有一个目标,这在最后一节里有描写。
But it may be the case that it's something like a situation in which over the course of the previous stanza, Milton has actually usurped the role of the muse and has begun providing something like his own inspiration.
情况也可能是这样的,在之前的那一段里,弥尔顿确实用了缪斯这一角色,并且开始用他自己的一些灵感。
In your RIS packet, I gave you the short poem "Two Songs from a Play." The first stanza of that interesting poem repeats themes from "The Magi" and "The Second Coming."
我给你们的资料里有首短诗,一出剧里的两支歌,这首有趣的诗的第一节重复了,东方三贤和二次圣临的主题“
The palmer accompanies him on all of his adventures but this one, and Spenser in stanza two of this canto makes a big deal of the fact that Guyon is descending in to the Cave of Mammon by himself.
朝圣者陪着他经历了除了这里之外的所有冒险,斯潘塞在这篇长诗的第二节对这一事件大做文章,他想表达盖恩是独自一人进入贪婪之神的洞穴的。
As soon as Milton describes for us the events in heaven that lead up to the Nativity, he begins the this is the prelude of the poem, it's broken up in to two chunks: the prelude and then what Milton calls the hymn he begins the third stanza of the prelude to his poem with a plea to the Heavenly Muse for inspiration.
弥尔顿一给我们描述引导基督诞生的天堂的事情,他就开始描述,这就是诗歌的开端,分为两部分:,这个开端还有弥尔顿称之为颂歌的部分,他开篇的第三段用了,对天国的缪斯寻求创作灵感的请愿。
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