If you look at page 62, it's in these little stories: Remi woke up and saw me come in the window.
看第62页,在这些小故事里就有:,雷米醒来看见我在窗前。
Then there came to be questions about whether the scenes, the stories in the book, actually did happen to him.
于是问题出现了,书里的那些情节和故事是否真正在他身上发生过。
They were stories of a god who violently slays the forces of chaos, represented as watery dragons, as a prelude to creation.
他们是上帝凶狠屠杀混乱势力的故事,以充满水的巨龙为代表,是创世的序幕。
So both of these stories involve floating point values, but only in this case am I actually allocating memory.
所以这两个故事都涉及到浮点类型,但是只有那样我们才能真正地分配到内存。
Let me tell you two stories that might-- well, look, before I tell you the stories here's the other side.
让我告诉你们两个故事-,在我讲故事之前,先讲下另一面。
The legends, just stories from generation to generation, changed, and molded, but nonetheless, retaining certain elements of the earlier tradition.
那些传奇,仅仅是一些代代相传的故事,它们被改编,被扭曲,尽管这样,仍保留了一些早期的传统元素
As you know, Stephen Schwarzman is a graduate of Yale College and he's one of the great stories of our century.
你们知道,史蒂芬·施瓦茨曼是耶鲁大学的毕业生,同时也是这个时代的一个传奇
He wrote that for that. His great friend was Bernard Herrmann, who wrote the stories for the first two movies.
他最好的朋友是,伯纳德·,赫尔曼,他写了,前两个电影的故事。
So there are stories about Chinese Americans the stories about Latin Americans and on and on.
有华裔美国人的故事,有拉美人的故事,等等。
Now I have not only these great stories but this very important memory of what that community meant to him at that time.
我不仅仅收获了这些美妙的故事,还收获了重要的记忆,知道了在那时,集体于他意味着什么。
There are no arguments in Homer's Iliad or Odyssey. You hear strong and compelling stories but no arguments.
没有辩论存在于荷马的《伊利亚德》,或《奥德赛》书中,你可以读到强烈,与令人信服的故事,但没有争辩。
There's been, probably apocryphal, stories about children who are raised by wolves or by dogs.
有很多狼或狗抚养儿童的故事,当然这些故事有可能是杜撰的
Very similar, parallel stories, and yet there are significant contrasts between the Mesopotamian story and its Israelite adaptation.
比较苏美尔版与犹太人版的故事,非常相似,但是同时有很大的对比。
She wrote a very compelling argument about O'Connor's fiction not about Wise Blood in particular, but about her stories.
她针对奥克纳小说写过一篇极有说服力的文章,并不只是针对《慧血》,而是针对奥克纳的所有故事。
It's like a craft. I had my little tape and my little scissors, my little project, my craft project. So, stories are a craft.
被结构,被建造,我手里有这个小胶带,一把小剪刀,一个任务,一个手工品,所以故事就像手工作品。
Some of the novels and stories you read were, it is probable, laid in your own country of America.
你读的东西,也许是美国化的。
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