So first I want to read to you the footnote to T.S. Eliot's The Wasteland.
首先给你们读一段艾略特的《荒原》的脚注。
E. E. Cummings, T. S. Eliot, W. H. Auden
. E. 康明斯、T. S. 艾略特、W. H. 奥登,
This issue here, October 1922, includes The Waste Land by T.S. Eliot.
922年十月的这一期,内容包括艾略特的《荒原》
That word, "impersonality"-- made famous by T.S. Eliot who advocated that is the stance from which all great art should proceed.
非个人化”之所以出名-,是因为T。S。艾略特所提倡的,是所有伟大的艺术都应该归于的状态。
T.S. Eliot, who was in many ways associated with the New Criticism, one of its intellectual forebears, nevertheless took a somewhat dim view of it and called it "lemon squeezer criticism."
提到新批评派不能不提T,S,爱略特,这是位元老级人物,他对这个新文学鉴赏方式持有一种比较特别的观点,他称之为,“挤柠檬式批评主义“
The editor is T.S. Eliot.
它的编辑是托马斯艾略特。
Here's the editor, great editor of the publisher Faber & Faber, thirty years later, or more, surrounded by books, ; the cultural arbiter of the English speaking world; T.S. Eliot at sixty.
0年后,这就是费伯-费伯出版社的大编辑,被成堆的书籍包围着,被视为英语语言世界的文化标尺;,这就是60岁的艾略特。
That is a course that I like to teach, too; usually I teach Plato to T.S. Eliot or Plato to I.A. Richards or some other important figure in the early twentieth century.
这也是我喜欢教的一门课;,我通常教从柏拉图到T。S。艾略特,或从柏拉图到T。A。理查兹,或者其他20世纪初的重要人物。
Contrast this book, Prufrock and Other Observations, the subtitle left off here of the cover of T.S. Eliot's great book, published in 1917. This is a different object, isn't it?
把这本《普鲁弗洛克的情诗》和其他的《观察》相比,注意艾略特这本史诗般的书上方的这个副标题,这是在1917年出版的,这是一个截然不同的主题,不是吗?
There's T.S. Eliot, the only great English poet born in America.
有唯一一个出生在美国的英国诗人,T。S。艾略特。
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