• And there you are, and, for the next 40 years, no one ever sees the novel that you wrote, or the autobiography that you wrote originally.

    就这样,在这之后的40年里,没有人看到你写的小说,或者你最初的自传。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now the part about his life in Chicago was I'm going to keep doing this, call it the novel versus the autobiography, and I'll explain why I make that mistake a little later--it was cut from the autobiography.

    他在芝加哥的生活那部分,我会一直把这书叫做小说,而不是自传,我之后会解释为什么犯这样的错误,这书是从自传的一部分。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • One of the things Gandhi said, that he talked about is from his wonderful autobiography, "My experiment with truth"-- " "Be the change you want to see in the world."

    甘地说过一件事,出自他的精彩自传,《我的对于真理的实践经历》,“成为你想在世上见到的改变“

    哈佛公开课 - 幸福课课程节选

  • In the most famous of these letters, the lengthy seventh one, he gives us, again, something of an autobiography and tells us a little bit about why he came to write this book.

    这些书信中最著名的,是冗长的第七封,他写下类似自传的东西,并简单地讲述了,为何他要写这本巨著。

    耶鲁公开课 - 政治哲学导论课程节选

  • So Roth imagines lived life as fictional in the same register as a novel, in the same register as an autobiography.

    所以罗斯想像过的生活就像小说中记录的那样,一如自传所述。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In a way, what Coleman does is write his autobiography, a fictional autobiography, in the very process of living it.

    从某种意义上讲,Coleman在写自传,虚构的自传,同时他也在经历这些情节。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Our course over the term will come back to this question over and over again, and it will also come back to the generic question of autobiography.

    我们这学期的课程,会反复回顾这个问题,也会再回到关于自传的一般性问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We finished Black Boy last time, and one of the big questions coming out of my discussion of that autobiography is: how do you manage the question of context in reading a novel or an autobiography--in reading any text?

    我们上次讲完了《黑孩子》,在关于那部自传的讨论中随之而来,的一个重要问题是:,当你在读小说、自传或者其他文本时,怎么处理上下文?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I think we can make the mistake, thinking about autobiography, that it's somehow not literary. But in fact it's very literary, and part of what makes it literary is the fact that you have to choose what scenes go into that narrative.

    我觉得我们可以犯这个错误,想想自传,从某种程度上说它不是文学,但事实上它很文学,其中一个原因是你选择加入叙述的那些场景。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I said last time that part of the art of autobiography is choosing.

    上次提过,自传的精髓在于选择。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So this novel, this autobiography, begins with the sense that this boy is in danger from practically the moment he comes into the world, the moment he comes into consciousness.

    这小说,这自传,让人一开始,就觉得这孩子,一生下来,就浸泡在苦水里。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Well, Wright himself described that difficulty of writing his autobiography, and these are the terms he used: I found that to tell the truth is the hardest thing on earth, harder than fighting in a war, harder than taking part in a revolution.

    莱特自己描述了,自传写作的艰辛,他如是说:,“我发现说真话是世界上最难的事,比参加战争难,比参加革命难,如果尝试写自传。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We don't know precisely what Plato thought, but we are helped, at least, by a kind of intellectual autobiography that he wrote and that we still have, in what is " conventionally referred to as The Seventh Letter.

    我们无法确切明了柏拉图的想法,但至少我们能透过,某种理智的自传找到线索,我们仍握有他亲笔所写的书信,即一般所指的,“第七书信。

    耶鲁公开课 - 政治哲学导论课程节选

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