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The passage is also famous because in it Milton does something that he almost never does. Milton has made a mistake.
这篇文章有名也是因为弥尔顿做了一些,他几乎从未做过的事，弥尔顿犯了一个错误。
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It's the passage from Spenser's cave of Mammon canto that describes this same scene of violation, the violation of mother earth.
这是斯潘塞笔下描写贪神之洞的长诗的篇章,它描述了对于大地母亲粗暴冒犯的场景。
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This is the realm of that mountain of imagination that I was showing you in the passage from Good Readers and Good Writers.
这就那想象力的巅峰，我曾在《好的读者和好的作家》,中向你们展示过它。
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It does so by insisting on a complex mode of ambiguity that governs the passage--not atmosphere.
这篇文章很朦胧，很复杂,算不上是一种气氛。
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It can be removed or reduced through rituals of ablutions or just the passage of time or other sorts of ritual observances.
它可以通过沐浴仪式来移除或减少,或者随着时间的流逝而消失。
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And here, in chapter two, we see the passage where Mill makes the point that John just described.
在第二章的这里，我们可以看到,穆勒的这段话表达了约翰刚才描述的观点。
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Even in the passage that I cited earlier, where Hobbes describes the benefits of civil society, he speaks of activities like navigation, exploration and industry.
在我之前引用的段落里，霍布斯描述文明社会,益处的时候,他谈到一些像航海，探险，工业等等的活动。
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What do we call the passage of music in which the beat slows down?
对于曲子中节拍慢下来的部分,我们怎么来描述它
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Now, remember we talked about these last time, voltage-gated channels are channels that would allow the passage of sodium, in this case, but they can exist in two states, a closed state and an open state.
还记得我们上节课讨论过的吧,电压门控通道是,一种可以容许钠离子通过的通道,在这一例子中 电压门控通道有两种状态,关闭状态和开放状态
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If there is atmosphere in the passage I'm about to quote from Macbeth, it must be atmosphere of a certain kind and there for a certain reason.
如果下面这篇《麦克白》里的选段有所谓的“气氛“,那这种气氛一定因为某种原因以某种形式存在着。
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Now in the passage I gave you, Freud says a very interesting thing, which is that after all, we have absolutely no objective evidence that the unconscious exists.
在我发给大家的文章中，弗洛伊德说到了非常有意思的一点，那就是完全没有客观的证据,来证明潜意识的存在。
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And so Chudleigh attempts to demonstrate - and this is the passage at the top of the handout - Chudleigh attempts to demonstrate that the Genesis story of Adam and Eve establishes no such thing.
因此恰德莱试图说明,-这是讲义中最上面的一段,-恰德莱试图说明,上帝创造亚当夏娃的故事并不能证明性别地位一说。
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I want to quote from the beginning of Roland Barthes' essay, which I know I only suggested, but I'm simply going to quote the passage so you don't have to have read it, The Death of the Author.
我想引用罗兰，巴特文章开头的几句话，我只是推荐这篇文章，从中引用几句,所以你们不用事先读，这篇文章就是《作者之死》
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Looking at the continuation of the verse, of the passage, We have some idea because humans, we see, are going to be charged with specific duties towards, and rights over, the created world.
让我们来看这一节还讲了什么，这一章还有什么，我们便会有一些想法，因为我们知道人类将会,被赋予一些职责和权利来管理被创造的世界。
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But look at the end of the passage that I've just read, a few lines down. The doctrine that the Lady wishes to advance suddenly seems so absolutely not to be a doctrine of married chastity.
但是看一下我刚刚读到的文章结尾，下面的几行，女士希望改进的交教义,突然看上去那么绝对，不再是婚姻贞节的教义。
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And remember, in the passage that I read about Inverarity's escape, what she left with, as her final understanding.
记住，在我读过的关于Inverarity的逃脱的部分中，她留下的是她的最终思考。
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