It's in that context that most of the observations we encounter in Russian formalism need to be understood.
我们要从形式角度去理解,俄国的形式主义者。
I've decided that I need to be able, in my program, to swap the value of two variables. All right.
我觉定在我的程序中,我可以,交换两个变量值,好的。
Please check it, that's where everything's going to be posted in terms of things you need to know.
请一定核查网站,那儿是所有需知信息,发布的地方。
And in this case we have three choices here in terms of what's going to be in the middle, so we need to decide that first.
而这种情况下对于哪个原子,在中间我们有三种选择,这是我们首先要确定的。
The reason you have to get it out of your head is you need to be able to see it on a surface that is not in your mind.
这么做的原因是,你需要,客观地观察它,而不是看它在你大脑中的样子。
Maybe there are certain supernatural things about communication from the dead or near-death experiences that need to be explained in terms of the soul.
也许有某些超自然的关于,亡者或是弥留之人的交流,或是,濒死体验,需要借助灵魂才能解释得通
That's a challenge that we need to always be putting in front of us.
这是常常都应该摆在,我们面前的挑战。
But if you need a slave representing your business, and you live in Rome and you need somebody in Ostia, the port city of Rome, to be able to be there and watch your imports and your exports of your business, you need someone who can sign contracts, who can lend money, who can borrow money, who can do things like that.
如果你需要一名奴隶代理你的生意,如果你住在罗马,需要有人,在罗马奥斯蒂亚港口,照看你的进出口生意,就得要能签合同,可以放债贷款,及其他类似事务的人。
It poses other kinds of difficulty, let's say; but in the case of fiction, in order to be engaged, in order to enter the hermeneutic circle properly, we need the element of surprise, as I say, as a way of distinguishing between fiction and nonfiction.
它的确带来了其它困难,我们可以这样说;,但是在读文学时,为了投入进去,为了合适地进入解释循环,我们需要“惊讶“这个元素,正如我所说,作为区分文学和非文学的一点。
But of course, there can be abuse of these when the food industry puts stuff in foods it doesn't really need to be there, and then they overstate the value of them and we'll talk about that, what's reasonable and what's not as we go through the class.
但是,当食品工业在食物中加入了,原本并不需要的成分,并夸大其作用时,自然也会反受其害,随着课程的深入,我们会探讨其中哪些合理,哪些不合理
So, if you can't immediately know, and you don't all have periodic tables in front of you, so that's fine, but if you have a periodic table in front of you, you need to be able to count valence electrons, so work on that if it doesn't come naturally to you in terms of figuring that out.
如果你不能马上想到,而且你手上没有周期表,那还好,但如果你面前有一张周期表,那你就得具备从中查出价电子个数的能力,如果你不能自然而然地想到,请在这方面多下点功夫。
But there's also some differences that we need to keep in mind, and that will be the focus of a lot of the lecture today.
我们也有一个径向节点,但是这里也有一些区别,是我们需要记住的,那是今天报告的焦点。
You'll probably remember that he says early in the essay that in order to recognize that we are in the presence of something that isn't merely within our own historical horizon, we need to be "pulled up short."
你们大概记得他在论文前面就讲过,为了意识到自己不仅仅在,一些我们时期出现的东西周围,我们需要“突然停下“
So if the argument's going to be, "We need to posit the existence of a soul in order to explain creativity," Again, that just seems wrong.
所以如果这个论证要说,我们必须假定灵魂的存在,才能解释创造力,再一次,这看起来是错误的
I don't care how you do it on exams or on problem sets, but you do need to be aware that the 3 d once filled is lower in energy than the 4 s, and the reason you need to be aware of that is if you're asked for the electron configuration now of the titanium ion.
我不关心你们在考试或者,问题集中如何做它,但是你们的确需要知道3d一旦被填充,它的能量是小于4s的,你们需要知道这个的原因,是如果你现在被要求,写出钛离子的电子构型。
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