Not even the muse Calliope, the muse of epic poetry, was in a position to avert a human tragedy like this.
即使是缪斯之一克莱俄帕,掌管史诗的女神,也不能避免这样一场人间悲剧。
The Comedy/Tragedy is for theatre. The Microphone is for radio.
悲剧/喜剧是给剧院的。麦克风是给广播的。
It's at this point that Milton chose for the subject of his epic poem the subject of the tragedy that he'd been contemplating for so many years.
弥尔顿在这个时候决定用他多年来都在构思的,悲剧的主题作为他的史诗的主题。
Pity" and "terror," these become crucial terms, the terms that Aristotle, in his Poetics, used to define tragedy.
遗憾或恐惧“,这是很关键的词,亚里士多德在《诗学》中用它,定义悲剧。
when innocent lives were lost in such tragedy, especially after Hurricane Katrina, in the Jewish community people are really struggling with that question.
当这样的灾难夺去无辜的生命,尤其是在卡特里娜飓风之后,犹太社会的人们开始,挣扎于这个问题。
And the sort of tragedy then is sort of personal tragedy where is taking away from his parents.
悲剧是一种个人的,从父母那里的来的悲剧。
They are trying to make sense of the tragedy that has befallen them, how a text like Joshua 23 and Joshua 24 would go a long way towards explaining their fate while retaining faith in Yahweh.
他们想要解释降临在他们身上的悲剧,章节如《约书亚书》第23和24章就花很大力气,来解释他们的命运,同时保持对耶和华的信仰。
The greatest tragedy of American history arguably is that this struggle could not be decided by debate.
美国历史上最大的悲剧可以说是,这场斗争不能由辩论来决定
When we look at the death of Socrates, do we think of it as a tragedy, as a moral tragedy, ? a just man sentenced to death by an unjust law?
当我们读到苏格拉底之死,我们是否会认为那是一场悲剧,道德悲剧,一名正义之士被不公的法律判处死刑?
Katrina was not only a tragedy, it was an envrionmental catastrophe as well.
卡特里娜飓风不仅带来了一场悲剧,同时它也是一场环境灾难。
It's a little bit like Aristotle's idea of catharsis, which can be understood in a variety of ways, but Milton at the end of Samson Agonistes understands it in one way when he says, Now we have as a result of this tragedy "calm of mind, all passion spent."
这有点像亚里士多德的精神发泄法理论,我们可以通过各种方法来理解,但是米尔顿在《力士参孙》一书的结尾,有另一种理解,他写道,这个悲剧使我们拥有了,“平静的精神,耗尽的热情“
If you like comedy, don't watch a tragedy.
如果你喜欢喜剧,就不要去看悲情片。
In both movies, Magnificent Amberson and Citizen Kane, that sort of tragedy that changes the past. Now you have the reality which is sort of bleaker.
在两部电影中,《安巴逊家族》和,《公民凯恩》,都有种悲剧的概念,改变了过去,现在你觉得,现实有点黯淡。
That was supposed to be a tragedy that, in some manuscript drafts that we still have today -- in some manuscript drafts, he titled this prospective tragedy Paradise Lost and in other drafts Adam Unparadised.
他打算写一部悲剧,在一些目前还存留的草稿中,我们看到弥尔顿将这部要写的悲剧命名为,《失乐园》,在另外一些草稿中又叫做《亚当失乐园》
So, it's a real tragedy that the world had lost that.
所以,这个世界失去了那段影像真是一个悲剧。
Like no tragedy has happened to me yet.
就像没有悲剧曾经降临在我身上。
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