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In English it begins with the late novels of Henry James around 1900, in poetry with Eliot and with Ezra Pound.
在英国现代主义萌芽于1900年左右，体现在亨利·詹姆斯,的后期小说，艾略特和艾兹拉·庞德的诗歌上。
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What else does this novel bring out in you: what other thoughts, what other responses? Does anyone absolutely love this novel?
这部小说还带给了你们什么，有其他的看法吗，其他的回应，有谁完全爱上了这部小说？
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It's a huge book which is all about this short story by Balzac, "Sarrasine," that he begins this essay by quoting.
这本大部头的书都是在讲巴尔扎克的短篇小说《沙拉辛》的，在文章开头他引用道。
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Greek novels usually were about a man and a woman, young,rich,who see each other and fall madly in love and passionately want one another.
希腊小说通常是关于男人与女人，年轻，富有，一见钟情,渴望对方。
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Elliott Gorn, a wonderful historian up at Brown, wrote a brilliant, fascinating, half-crazy essay once about eye-gouging and Southern fighting.
艾略特·龚是布朗时期一个伟大的历史家,他写了一本很有趣,很引人入胜,口味很重的一本小说,是关于南方式打架和挖眼珠的
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It's like a little novella. Scholars are divided over the authenticity of the Egyptian elements in the story.
它就像一篇短篇小说，学者们意见有分歧,关于故事中埃及元素的可信性。
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Yet, it's something very important, as we would want to know in any play or novel or movie.
但这之间有些很重要的环节，就像我们想要欣赏任何表演，小说或电影时,会想深入发掘一般。
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There is a wonderful novel that I would recommend to everyone that is watching this show.
我想向大家推荐一本精彩的小说,我想向大家推荐一本精彩的小说。
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It had been my accidental reading of fiction and literary criticism that had invoked in me vague glimpses of life's possibilities.
我偶尔会读小说和文学评述,这让我隐约地窥探到,生活的可能性，“
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And today I'm going to suggest two--actually, well, yes two additional contexts that we can look to, to read the novel.
今天我想为你们提供两种参考方案，事实上是,两种额外理解小说语境的方法。
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And he's parodying both kinds of response in this novel, so in that sense, the novel is very much of its time.
在小说中他模仿了两种方式的应答，从这个意义上说这本小说很有它的时代价值。
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It probably is at least in part, but mainly it is probably intended to be fiction or fictionalized biography.
最少一部分是，可是结果大相径庭,大篇都是虚构或文学小说化了的自传。
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I think it's telling that this kind of creation is a failure; it cannot succeed in the confines of this novel.
我想这告诉我们这种创作是失败的;,它在这本小说的界限内无法成功。
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She wrote a very compelling argument about O'Connor's fiction not about Wise Blood in particular, but about her stories.
她针对奥克纳小说写过一篇极有说服力的文章,并不只是针对《慧血》，而是针对奥克纳的所有故事。
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You may have noticed that I am very fond of reading aloud to you from these novels. I'm very fond of reading out passages.
你们也许注意到了我很喜欢大声读这些小说给你们听,我很喜欢读一些片段。
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Now I want to switch gears, just for the last couple minutes, and ask you: what do you see when you read this novel?
在最后的这几分钟，我想换换话题，问问你们：，在看这部小说时,你们读到了什么？
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There are more things, which I won't reveal, that happen at the end of the novel to do with this.
与此相关的还有其他的事，不过我现在不会和你们说，因为它们在小说的最后才会出现。
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There is a little anecdote from that teach-in that I want to share with you that I think embodies some of the tensions in this novel.
关于那次讨论会我觉得没有什么好说的,能够体现出小说中的焦虑。
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The second thing I want to say is less about paper writing, and more about the trajectory of this course and what we're seeing in common between these novels.
第二件我想说的事情是，不是关于写论文的，而是关于这门课的轨迹的,我们会在这些小说里看到一些共同点。
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For me, it has been my reading of fiction far removed from political considerations that evoked in me a sense of personal freedom or the possibilities of escaping the South.
在读小说时,我会将一切抛诸脑后,这种精神上的解放让我,对逃往南方。
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Well,I think that's a pretty clear-eyed view,and a clear indictment, of what Kerouac is doing through the character of Sal.
这是看这本小说的一个很清晰的视角，对Kerouac为萨尔这个角色赋予的东西而申诉。
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So she does not let these things sit in the text to be assimilated to a theological structure, but she brings them out.
所以她并没把这些放在小说中，使其与,神学架构同化，但她却把它们呈现了出来。
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There is a nervous breakdown that actually happens right here in New Haven in one of these novels.
其中一本小说提到,就在我们所处的纽黑文发生的精神崩溃事件。
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There are questions that intersect between the form and the content in every single novel that we read.
在我们要读的每本小说里,形式和内容之间都存在类似的问题。
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Things just don't happen the way they happen in nurse novels and bodice-rippers -in which somehow or another the pauper marries the prince.
现实生活中不会发生像,？护士小说和浪漫情欲小说中发生的那些事情,在那些情节中，穷姑娘莫名其妙地嫁给了王子。
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That's such a great encapsulation of not caring about any specific thing, but still being incredibly invested.
这是一个多么好的不关心任何具体事的伪装，但小说里后来也被这一点所笼罩。
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I don't know what that dream we're going to dream together is when we read that novel. I don't know what that'll be.
我不知道当我们一起读那部小说的时候,我们将会一起做个什么样的梦，我不知道。
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Now from the adult point of view, this is culinary because we know that we're in the world of folklore and that in folklore everything happens three times.
现在从成人角度来看，这是烹饪小说，因为我们知道,自己在一个民间传说的世界,而且在一个民间传说中事不过三。
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It's huge. There is no more powerful marketing force in contemporary fiction than Oprah's Book Club.
这很可观，就现代小说而言,没有能与奥普拉的书友会相提并论的营销力量。
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But Eudora Welty was once asked why Southerners can be such great writers, or such good storytellers and she was a wonderful storyteller.
但有一次她被问到,为什么南方总是出伟大的作家,或者是杰出的小说家,她自己就是个很出色的小说家
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