It's a huge book which is all about this short story by Balzac, "Sarrasine," that he begins this essay by quoting.

这本大部头的书都是在讲巴尔扎克的短篇小说《沙拉辛》的，在文章开头他引用道。

耶鲁公开课 - 文学理论导论课程节选

which publishes twice a year, student written poetry and short fiction and plays.

这本杂志一年出两期，主要刊登学生们写的诗歌、短篇小说和戏剧。

耶鲁文艺刊主编 - SpeakingMax英语口语达人

Don't tell me about these complicated sentences from Balzac's short story.

不要给我讲巴尔扎克短篇小说里的这些复杂的句子。

耶鲁公开课 - 文学理论导论课程节选

It's like a little novella. Scholars are divided over the authenticity of the Egyptian elements in the story.

它就像一篇短篇小说，学者们意见有分歧,关于故事中埃及元素的可信性。

耶鲁公开课 - 旧约导论课程节选

One of the great short stories of the last century begins with a sentence by Franz Kafka: "As Gregor Samsa woke one morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect."

上世纪最伟大的短篇小说之一,弗朗茨·卡夫卡所写的名篇是这样开头的,"一天早晨,格里高尔·萨姆沙,从不安的睡梦中醒来,发现自己躺在床上,变成了一只巨大的甲虫"

耶鲁公开课 - 心理学导论课程节选

I think that's also why Barth chose to write this story in the perfect short story form. And that form is also given to us in Lost in the Funhouse, on page 95, when we get the diagram of Freitag's Triangle.

我认为这也是为什么巴斯选择用完美的短篇小说的,模式写这个故事的原因，这个模式在,《迷失在开心馆》里也有体现，在第95页，就是Freitag三角的图解。

耶鲁公开课 - 1945年后的美国小说课程节选