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Both Guillory and Angus Fletcher are examining the troubled relation of Milton to one of his favorite poets.
无论是古伊洛还是安格斯弗莱彻,他们都在研究弥尔顿最爱的一首诗中和他相关的问题。
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And all of the physicists like Richard Feynman. Linus Pauling, he's another one.
还有像理查德·费曼和莱纳斯·鲍林这样的物理学家。
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Now we don't have to be overly concerned here with what I take to be Chudleigh's generous oversight of Milton's generally sexist bias.
这一点我们不必多虑,弥尔顿总体上有性别歧视，恰德莱大方的忽视了这一点。
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It also includes a little bit further down the page of review and essay by Valerie Larbeau on a new novel by James Joyce called Ulysses.
也包括瓦莱里亚拉布对于詹姆斯乔伊斯所著的《尤利西斯》,《尤利西斯》的一些深入的评论研究。
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And to illustrate one of the studies, I'll tell you about a study that I did with Valerie Kuhlmeier and Karen Wynn.
给大家举一个研究的例子,给你们讲述一个我曾经和,瓦莱里·库尔迈耶以及凯伦·韦恩,一起合作过的研究
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For 6 years,I was a resident tutor in Leverett House when I was a graduate student and then I also started to teach.
我做过6年莱弗里特宿舍的住校导师,我研究生在读时，就开始任教。
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And then we have a great war for weeks and it's all Eli Whitney.
随后这场持续数周的战争打响了,这都归咎于伊莱·惠特尼
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By the same token, there is the work of Roland Barthes and some of his contemporaries--Poulet, whom I mentioned, - Jean Starobinski and others-- that was called in the French press La Nouvelle Critique.
同样的，罗兰巴特的一些作品,还有很多和他同时期的人，比如我们提到过的乔治普莱，让·斯塔罗宾斯基，还有其他人的作品-,也都被当时的法国媒体称为“新批评“
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It's a piece by Maurice Ravel called Bolero.
这是一段莫里斯·拉威尔的,名叫,波莱罗舞曲,的作品
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At the moment we have been assigned four TAs, though looking around we won't need four TAs, but at the moment we have Da-Ihn Yoo, we have Michael Verriman, we have Andrey Ivanov, and we have Brian Reilly.
目前给我们安排了四个助教,虽然我觉得用不了四个,不过我们目前还是有余大有,和迈克尔·韦里曼和安德烈·伊凡诺夫,还有布莱恩·莱利
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Before you go, that's Barry Nalebuff at the back, he has copies of the book, it's a great book, go buy it from him.
巴里·纳莱巴夫就坐在教室后面,他手里有需要教材,是一本不错的教材,你们走之前去他那里买一本吧
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I could actually send an SMS message from Cingular to Verizon.
我可以把短信从辛格乐,发到弗莱森电讯。
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This is Pieter Claesz, C-L-A-E-S-Z, probably mispronounced.
这是彼得·格莱兹的作品,C-L-A-E-S-Z,我可能发音不准确
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Then you have history of Lenox Avenue, Malcolm X Boulevard, which is a part of Harlem.
然后，你还会看到莱诺克斯大道和马尔科姆X大道的历史，它们都是哈莱姆的一部分。
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So as a very "grave author" - and this is what Chudleigh is implying -- Milton can tell us something potentially true about the priority of the sexes.
因此作为一个“严肃的作家“,-这是恰德莱暗示的--弥尔顿能告诉我们,关于性别优先地位的一些真相。
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He's the very voice of traditional wisdom for some, as he was for Lady Mary Chudleigh.
对于一些人来说，正如对玛丽·恰德莱夫人，弥尔顿是传统智慧的发言人。
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We also learned from Ravel's Bolero that nobody actually plays the beat-- that's too basic but our mind, hearing all of these complex rhythms, extrapolates the beat from this complexity.
通过拉威尔的《波莱罗》我们还知道,没有人专门负责敲打节拍,那太简单了,但听到那些复节奏时,我们的大脑会自动推断出节拍
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So Milton for Astell is hardly the embodiment of orthodoxy that he is for Lady Mary Chudleigh.
因此，对阿斯苔来说，弥尔顿不是那个,玛丽·恰德莱心目中代表正统的标志。
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Remember we were just demonstrating, listening to the Ravel Bolero.
刚才的热场过程中我们示范过的,我们欣赏了拉威尔的《波莱罗舞曲》
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Theodicy is the term coined by the eighteenth-century philosopher Leibniz, and he applied this term theodicy to just that kind of philosophical sentiment that's implied by its etymology.
斯奥迪斯是由18世纪哲学家莱布尼兹创造的，他用斯奥迪斯这个词指代,它的语源表达的哲学思想。
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Like Lady Mary Chudleigh, Woolf holds up Milton as a powerful authority.
如同玛丽·恰德莱夫人，伍尔夫把弥尔顿当成有力的权威。
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And what struck me most about conversations that I had, either in Leverett or other houses, were students is their sense of mission,your sense of mission, your desire to do good, to make the world a better place.
在与学生的交谈中，让我印象最深的是，无论是在莱弗里特宿舍或其他地方，学生们的使命感，你们的使命感，你们对成功的渴望，让世界变得更美好的愿望。
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One is the chapter on Comus in a book by John Guillory called Poetic Authority, and the other is the entire book by Angus Fletcher on Milton's Comus, titled The Transcendental Mask.
一个是约翰古伊洛写的关于Comus的一个章节,叫诗的威信，另一个是安格斯弗莱彻写的一本研究弥尔顿的Comus的书，叫《超凡的》
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London, already by the late sixteenth century, one-sixth of all the people, I think this is E.A. Wrigley who pointed this out a long time ago--one-sixth of all the people in England went to London frequently, because London was absolutely gigantic as a city.
伦敦,早在十六世纪后期,六分之一的人口,我想是E.A莱格力很久以前给出的这个数据,他指出,当时有六分之一的英国人,会经常去伦敦,因为伦敦当时是个巨型城市
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Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.
不得不说，玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。
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Then around one thousand in northern Italy, an enterprising fellow named Guido of Arezzo came along and said, "Well, you know what?
大约在十世纪,在意大利北部,出现了一个有为青年,叫阿莱佐的圭多,他说,这个,你们看
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Go into Grove Street Cemetery some go visit his grave and say, "It's not your fault Eli."
走进韦街公墓,会有人到他的坟前悼念,说,"这不是你的错,伊莱"
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