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We also have scales in the chromatic mode and that's when we don't have just seven pitches within the scale.
我们也了解了半音调式中的音阶,也就是没有正好七个音高的,那种音阶
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We said there are seven notes in each of these two scales, twelve pitches all together within the octave.
我们说在这两个音阶中都有七个音符,一个八度包含十二个音高
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So again this is on a viola so it has a deeper, darker timbre than a violin but here's a scale.
对于中提琴来说,它有着比小提琴更为深沉的音色,现在为你们演奏音阶
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The reason that we hear these as distinctly different, I think, happens rather early on in the scale.
我们觉得它们如此截然不同的原因,我看早在音阶中就出现了
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And that's used in a lot of Far East cultures— the pentatonic scale, just a five-note scale there.
它大量用于远东的文化中,这种五声的音阶,五个音符的音阶
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But what she's working off of here— we're not going to listen to the whole thing-- is this idea of a blues scale.
但她处理这段曲子的方法,我们不是要全部听完,是布鲁斯音阶的理念
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So, that's another six- note scale but a different sort of pattern, a different kind of pattern.
那么,这是另一种六音符音阶,但是模式不同
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Last time we worked through this idea of the scale and how you can build triads on each of the members of the scale.
上节课我们已经讨论过音阶中的这个概念,以及你们怎样才能在音阶的各个音上组建起三和弦。
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We've got lots of things going on here this morning so just play a scale quickly and then vibrato, pizzicato and tremolo for us.
我们今早的内容比较多,所以请快速为我们演奏一下音阶,揉弦,拨奏和碎弓
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So, let's listen to Ravi Shankar play a bit of a raga using a six-note scale.
来听听拉维·香卡的,用六音符的音阶演奏的一小段拉格
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That's a critical moment in any scale, determining how we're going to feel about it.
这在任何音阶中都很重要,决定着我们对音阶有何感受
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Whereas the--if I take the rhythm out of the Ninth Symphony really Beethoven there is just going up and down a scale so it's very conjunct.
无论哪里,如果我将第九交响曲的,节奏单挑出来,你就会发现贝多芬这里,仅仅是一个个升或降的音阶,这是级进的典型例子
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So, two different forms of a six-note pattern, let's go to a five-note pattern.
两种不同模式的六音符音阶,我们来看下五音符的模式
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And then he, at the top of it-- switched over into a chromatic scale.
然后,在顶端,转换到了半音音阶
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Okay, we've been talking about scales, these ideas of major and minor scales.
行,我们讨论了音阶,大调音阶和小调音阶的概念
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Well, chromaticism adds tension to music and especially chromaticism that's pulling up.
这个,半音音阶增添音乐的紧张感,尤其是上升的半音音阶
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So, that minor third can show up very early in the scale.
那么,这个小三度在音阶中出现得相当早
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You're going to hear the violins play a running scale, If our beat is this, what note values are in the music of the violinists at this particular moment?
大家待会要听段小提琴演奏连续音阶,如果我们这样打拍子,在这个特定的时间点,这段音乐中小提琴手演奏的时值是什么
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So we're going to listen now to the end of Strauss's Death and Transfiguration, and again we've got the idea of the octave, then the fifth, then the fourth.
我们下面会,听施特劳斯的死亡与净化直至结束,我们再次了解了八度音阶,然后是第五音阶,第四音阶
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That's a fourth but it happens to produce an octave against that.
这个是四度,但它碰巧产生一个八度音阶,与另一个形成对比
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Melodies that are just running up and down a scale-- neighboring tones.
级进旋律是指在整个音阶的,相邻音符上跑动的旋律
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So, we've got the major/minor scales; we've got the chromatic scales.
我们已经讲过大小调音阶,我们已经接触过半音音阶
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It's not really a scale but a raga that he is using.
他所演奏的是拉格,并非真正的音阶
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Yeah, remember we had-- he was coming up a minor scale.
好吧,记得我们曾经,他首先来了段小调音阶
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Timpani or as it's sometimes called a kettledrum, and it was playing two different pitches, actually sort of playing this pitch and this pitch, the octave and then the fifth.
定音鼓,或者有时称作半球形铜鼓,它正演奏两个不同的音高,实际上在演奏这个音高和另外一个音高,八度音阶和这个五度
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So, it's a penta-- what we call a pentatonic scale.
因此,它是一个所谓的,五,我们称之为五声的音阶
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But within the scale, all notes are not the same.
但是在音阶内部,每个音符并不一样
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We in the west have settled on a seven-note scale.
西方已经固定在七音符音阶
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Entire compositions are rarely written in the chromatic scale.
整篇的作品很少全部用半音音阶构成
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But that darkness occurs very early in the scale.
但是这种阴暗很早就出现在音阶中
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