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But for Milton's contemporaries in the seventeenth century, Milton's power really wasn't at all aesthetic or even religious in nature.
但在17世纪弥尔顿同时代的人看来，弥尔顿的力量却是毫无美感的，甚至本质上不是宗教上的。
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The passage is also famous because in it Milton does something that he almost never does. Milton has made a mistake.
这篇文章有名也是因为弥尔顿做了一些,他几乎从未做过的事，弥尔顿犯了一个错误。
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There's this notion of a Boolean value named after Mr. Bool, which is just a notion of true or false.
布尔值的概念是在布尔先生之后命名的，它是一个正确或错误的概念。
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As you'll see when we return to Iser after I've said a few things about Hirsch, this, as you'll see, is the fundamental difference between Gadamer and Iser.
正如你们所看到的,当我谈论了赫施的问题之后,又回到了伊瑟尔，这就是葛达玛和伊瑟尔的明显不同。
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Swarthmore. This is very interesting 'coz after Swarthmore, you went to Duke. And when I think of Swarthmore, I think I've like a super intellectual.
斯沃斯莫尔，我想到一点很有趣，因为这之后，你去了杜克大学，我一想到斯沃斯莫尔，我就觉得自己像一个超级天才。
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I was going to the Bahamas with my family and with Jeremy Siegel's family-- we'll come back to Jeremy Siegel in a minute.
我们家和杰里米·西格尔一家,一起去巴哈马群岛旅行,过会还会提到杰里米·西格尔
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It's fitting that the first poem of Milton's that we study in this class is "On the Morning of Christ's Nativity."
这节课我们首先学弥尔顿的,《圣诞清晨歌》是很合适的“
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Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
弥尔顿的史诗由不押韵的抑扬格五音步诗句写成,我们，还有弥尔顿都称其为无韵诗。
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The genius of Fish's reading of Milton's similes is to understand the particularly time-bound nature of Milton's verse.
费什解读弥尔顿的比喻的天赋,能够帮助我们理解弥尔顿的韵诗在特定时代下的本质。
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It wasn't until 1645 at the age of thirty-six or thirty-seven that Milton would publish his first volume of poems, which he titled simply Poems.
直到1645年他36或37时,弥尔顿才出版了第一部诗集，就叫《弥尔顿十四行诗集》
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At the very moment that Woolf advises women readers to look past Milton's bogey, she finds herself in the peculiar position of echoing the poetry of John Milton.
伍尔夫劝女性读者不去理会,弥尔顿的惑众谣言的时候，发现自己处境尴尬,因为她需要附和弥尔顿的诗歌。
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Actually we have Milton's commonplace book, his reading notes, and you can find it all in English translation in volume one of The Complete Prose Works of John Milton.
事实上我们有弥尔顿的那本普通的书，他的阅读笔记，你们可以找到完全的英译本,在弥尔顿全部散文作品的第一卷。
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How troubling though -- this seems undeniable -- and how strange that Woolf really at her most radical is echoing the very words of the power that she's opposing!
多么让人不解--但这又是不可否认的--多么奇怪,伍尔夫在她最激进的言论中附和弥尔顿的字字句句,而弥尔顿的力量正是她所反对的！
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It's Woolf's image that's probably the one that's most firmly rooted in the minds of Milton's readers today.
伍尔夫对弥尔顿的刻画可能是,如今弥尔顿读者们心中对他最深刻的印象了。
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After all, this is an extremely pious Puritan. But as late as the 1640s, this was not at all the epic subject that Milton was intending to use.
不管怎么说，弥尔顿是个很虔诚的清教徒，但是到了17世纪，40年代的时候，弥尔顿都根本没想过要写这个主题。
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But John Milton is also recompensed and, by the weird sacrificial logic that Saint Peter has already sketched out for us, you can see a really disturbing way in which Milton has benefited as well.
但是在圣彼得铺陈开来的诡异的牺牲逻辑下,弥尔顿也得到了回报，你会看到弥尔顿从中得益的方式,确实非常让人困惑。
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Milton is adamant throughout the epic in his insistent imagining Adam and Eve quite specifically as a married couple - and a married couple -- and this is important to Milton -- a married couple with an active sex life.
弥尔顿在他的叙事诗中坚定不移的认为,作为已婚的夫妇，亚当和夏娃,已婚的夫妇--这一点对弥尔顿来说很重要-,有频繁性生活的夫妇。
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The position that Milton -- this is how I like to read it - the position that Milton would like to be able to take on this question of virtue's reward is formulated by the Elder Brother in Comus.
弥尔顿的立场--我下面要读,-弥尔顿关于贞操的报偿这一问题的立场,通过《科玛斯》中的哥哥这一角色表达出来。
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This structure -- and this is something that's important for Milton to convey to us -- is genuinely beautiful. It's not entirely clear that Milton wants us to think of Pandemonium as unambiguously evil.
这个结构是弥尔顿认为应该传达给我们的,很重要的事，它实在是很美，尚不清楚弥尔顿,是否想让我们决得这地狱是绝对的邪恶。
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We will hear again of Milton's intention to write an epic in a versified letter that he writes to his best friend, Charles Diodati. This is the letter to Diodati which Milton publishes as the Sixth Elegy.
我们又一次听到弥尔顿想写史诗,是在他给最好的朋友查尔斯，迪奥达蒂的一封信里，这就是那封信,弥尔顿以第六挽歌的名字出版。
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Milton's younger brother, Christopher, was already entering law school at this time, and it was clear, I guess, to everybody that John Milton, Jr. was not suited why that's the case.
弥尔顿的弟弟，克里斯多夫，在这时已经进入了法学院，我猜想，弥尔顿并不适合,我不清楚为什么）
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It's reasonable, I think, to invoke Dr. Johnson here, Samuel Johnson, who writes in his Life of Milton that Milton's unskillful allegory appears to be one of the greatest faults of the poem.
我认为在这引用塞缪尔·约翰逊的话是很合理的，他一生都在写关于弥尔顿的文章,他指出弥尔顿不熟练的寓言成为了这部诗的大败笔之一。
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My guess is that our sense of Milton's power, however that power is imagined, is intimately related to the way in which Milton himself represents power in the characters of Satan and of God in Paradise Lost.
我猜我们对弥尔顿力量的理解，不管我们如何想象这力量，与弥尔顿在《失乐园》中所写撒旦和上帝两角色对,力量的展方式切密切相关。
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So the satisfactions of the moment are for Milton deferred here; and it's something like a recognizable process of deferral and postponement that you will see beginning to form themselves at the very center of Milton's poetic imagination.
因此对这一时刻的满意就是因为弥尔顿把它推迟到这;,而且就像一个可以察觉的推迟过程,从一开始你就会看到这些推迟是顺其自然的,这在弥尔顿的诗歌想象中可以看到。
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And it's important to remember that Milton will - this is probably an invariable truth, but I'll qualify it nonetheless - that Milton will typically imitate his predecessors only with a difference.
重要的是我们要记住弥尔顿将,这应是无可否认的事实，但我还是要验证一下,弥尔顿通常将,模仿他的文学前辈而仅留一个不同之处。
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This is reading from the packet assigned for today, and I'm going to ask you to do what you can to get through the biography of Milton in the packet, as well as the notes on Milton's poetry that we have from Dr. Samuel Johnson.
这是今天发的阅读材料里的，我要求你们尽量把材料里的,弥尔顿传记读一遍，还有,塞缪尔·约翰生博士为弥尔顿诗歌做的注释。
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The rest of contemporary history, including all of the stormy events leading up to Milton's own beloved Puritan Revolution, in which Milton himself, of course, had participated -all of that has been at least at the literal level, at the explicit level, expunged from the poem.
接下来的当代历史，包括所有引领着弥尔顿所钟爱的清教徒革命的,暴风性事件，在那场革命中，弥尔顿本人也参与其中,-所有那些至少在文义层面，在独立于本诗之外可说清的层面，都是很重要的。
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Now when Virginia Woolf writes that Milton's bogey has shut out the view of his female readers, she seems to be suggesting that the specter of Milton blinds women to the things that they should be seeing, the most important truths out there in the world.
当佛吉尼亚·伍尔夫写道弥尔顿的惑众谣言遮挡了,她的女性读者的目光时，她似乎是在说,弥尔顿的幽灵让女性对她们应该看到的,东西视而不见，这些东西正是世间最重要的真理。
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Merritt Hughes usefully notes this in one of the notes at the bottom of the page, that Milton in that line, "things unattempted yet in Prose or Rhyme," Milton's actually alluding to the opening of another romance epic.
梅里特修斯发现,在这页最下面有一条笔记，显示弥尔顿写到，“在《散文和韵律》中都未被人们尝试过的事“,事实上弥尔顿是暗指另一部浪漫史诗的开头。
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Milton is much more likely imagined to wield - and if you have any sense of what the mythology surrounding Milton is, you would have to agree with this - a socially conservative power over his readers.
现在，大家更可能认为弥尔顿,-如果你对弥尔顿时代的神学有点了解的话，你就会同意这一点,-大家认为弥尔顿向读者传达的是社会保守思潮。
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