• The title, 'A Record of Childhood and Youth' " that was the subtitle "makes one first think that the story is autobiographical.

    标题是“童年和少年记事“,副标题是那个,“最先开始让人觉得是自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • It probably is at least in part, but mainly it is probably intended to be fiction or fictionalized biography.

    最少一部分是,可是结果大相径庭,大篇都是虚构或文学小说化了的自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now Milton never writes a formal autobiography.

    虽然弥尔顿从没写过正式的自传

    耶鲁公开课 - 弥尔顿课程节选

  • This little autobiography, goes on at considerably greater length, I should say.

    这部小小的自传,篇幅却十分冗长。

    耶鲁公开课 - 政治哲学导论课程节选

  • One of the things Gandhi said, that he talked about is from his wonderful autobiography, "My experiment with truth"-- " "Be the change you want to see in the world."

    甘地说过一件事,出自他的精彩自传,《我的对于真理的实践经历》,“成为你想在世上见到的改变“

    哈佛公开课 - 幸福课课程节选

  • There's a lot of imagery of swelling, of distortion and distention of the body that some critics point to her biography to explain.

    在她的书中有许多关于身体肿胀、变形和膨胀的想象,一些评论人从她的自传中找到了解释。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So Roth imagines lived life as fictional in the same register as a novel, in the same register as an autobiography.

    所以罗斯想像过的生活就像小说中记录的那样,一如自传所述。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And there you are, and, for the next 40 years, no one ever sees the novel that you wrote, or the autobiography that you wrote originally.

    就这样,在这之后的40年里,没有人看到你写的小说,或者你最初的自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So what we have is this marketing juggernaut getting interested in Wright's autobiography.

    所以我们知道了这股强大营销的力量看中了莱特的自传,于是他们要了这本书。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Our course over the term will come back to this question over and over again, and it will also come back to the generic question of autobiography.

    我们这学期的课程,会反复回顾这个问题,也会再回到关于自传的一般性问题。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We finished Black Boy last time, and one of the big questions coming out of my discussion of that autobiography is: how do you manage the question of context in reading a novel or an autobiography--in reading any text?

    我们上次讲完了《黑孩子》,在关于那部自传的讨论中随之而来,的一个重要问题是:,当你在读小说、自传或者其他文本时,怎么处理上下文?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And I said about that problem: Is it autobiography?

    这还有几个问题,要思考:,这是否是自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Now the part about his life in Chicago was I'm going to keep doing this, call it the novel versus the autobiography, and I'll explain why I make that mistake a little later--it was cut from the autobiography.

    他在芝加哥的生活那部分,我会一直把这书叫做小说,而不是自传,我之后会解释为什么犯这样的错误,这书是从自传的一部分。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I think we can make the mistake, thinking about autobiography, that it's somehow not literary. But in fact it's very literary, and part of what makes it literary is the fact that you have to choose what scenes go into that narrative.

    我觉得我们可以犯这个错误,想想自传,从某种程度上说它不是文学,但事实上它很文学,其中一个原因是你选择加入叙述的那些场景。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So what is autobiography?

    自传是什么?

    耶鲁公开课 - 1945年后的美国小说课程节选

  • And while it would be ridiculous for us to read the entire mask as the poet's own completely unfettered autobiographical fantasy, a Miltonic set of interests and a Miltonic set of anxieties charging and fueling this work.

    虽然要我们读完整篇文章有点荒谬,因为诗人的自传幻想太无拘无束了,这个作品有弥尔顿式的嗜好,和弥尔顿式的焦虑控诉及刺激因素。

    耶鲁公开课 - 弥尔顿课程节选

  • It's what allowed you to speak so powerfully to people in your first novel, and you've always wanted to write an autobiography.

    让你在第一本小说里,掷地有声地向人们说话,所以你想写自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • In the most famous of these letters, the lengthy seventh one, he gives us, again, something of an autobiography and tells us a little bit about why he came to write this book.

    这些书信中最著名的,是冗长的第七封,他写下类似自传的东西,并简单地讲述了,为何他要写这本巨著。

    耶鲁公开课 - 政治哲学导论课程节选

  • In a way, what Coleman does is write his autobiography, a fictional autobiography, in the very process of living it.

    从某种意义上讲,Coleman在写自传,虚构的自传,同时他也在经历这些情节。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Or, he doesn't say it; his autobiographical hero says it: "Any genuinely new trend in art is a knight's move, a change of shadows, a shift that displaces the mirror." Okay.

    或者他没讲,他是在自传《英雄》中提到了:,“艺术上任何一个全新的趋势都是迂回前进的,是一种影子的改变,一个转移镜子的变化“

    耶鲁公开课 - 1945年后的美国小说课程节选

  • I said last time that part of the art of autobiography is choosing.

    上次提过,自传的精髓在于选择。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • So this novel, this autobiography, begins with the sense that this boy is in danger from practically the moment he comes into the world, the moment he comes into consciousness.

    这小说,这自传,让人一开始,就觉得这孩子,一生下来,就浸泡在苦水里。

    耶鲁公开课 - 1945年后的美国小说课程节选

  • Well, Wright himself described that difficulty of writing his autobiography, and these are the terms he used: I found that to tell the truth is the hardest thing on earth, harder than fighting in a war, harder than taking part in a revolution.

    莱特自己描述了,自传写作的艰辛,他如是说:,“我发现说真话是世界上最难的事,比参加战争难,比参加革命难,如果尝试写自传

    耶鲁公开课 - 1945年后的美国小说课程节选

  • We don't know precisely what Plato thought, but we are helped, at least, by a kind of intellectual autobiography that he wrote and that we still have, in what is " conventionally referred to as The Seventh Letter.

    我们无法确切明了柏拉图的想法,但至少我们能透过,某种理智的自传找到线索,我们仍握有他亲笔所写的书信,即一般所指的,“第七书信。

    耶鲁公开课 - 政治哲学导论课程节选

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