One of the best examples, where honor supersedes everything else, including the law, work, and family with disastrous results, occurs in The Jack Bull (1999) starring John Cusack.
关于荣誉取代法律、工作、家庭安危等其它一切事物的最佳案例之一，出现在约翰·库萨克主演的《终极猎杀》（1999）中。
A century earlier, the symbol of the archetypal Englishman was John Bull, a character portrayed as irascible, strong-minded, querulous, and not particularly neighborly.
一个世纪前，英国男人的典型代表就是约翰·布尔。他被描写为一个易怒的、有主见的、爱发牢骚的、不是特别友好的人。
He was a fully developed John Bull of the outrageous type — with a huge beak of a nose, cunning eyes, and a yard-long chin.
他已经完全进化成为约翰牛那种野蛮无理的类型——巨大的鹰钩鼻，狡猾的眼睛，和长下巴。
This is a God that would be almost as unfamiliar to Edmund Gosse's father, to John Calvin or the Pope as it would to a Roman sacrificing a bull to Mithras.
这样的上帝，不管是在埃德蒙多•戈瑟的父亲、约翰·加尔文(John Calvin)或者教皇看来，还是在用牛祭祀太阳神的罗马人的眼中，几乎同样都是陌生的。
This is a God that would be almost as unfamiliar to Edmund Gosse's father, to John Calvin or the Pope as it would to a Roman sacrificing a bull to Mithras.
这样的上帝，不管是在埃德蒙多•戈瑟的父亲、约翰·加尔文(John Calvin)或者教皇看来，还是在用牛祭祀太阳神的罗马人的眼中，几乎同样都是陌生的。
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