Chapter Three discusses the collision within King Lear himself, which belongs to the third kind of collisions according to Hegel's tragedy theory.
第三章讨论了李尔王自身内部的冲突。根据黑格尔的悲剧理论，这一冲突属于悲剧冲突中的第三种。
Chapter Two concentrates on the collision between King Lear and Cordelia, which belongs to the second kind of collisions according to Hegel's tragedy theory.
第二章集中阐述了李尔王和考狄利亚之间的冲突。根据黑格尔的悲剧理论，这一冲突属于悲剧冲突中的第二种。
The paper analyzes Shakespeares tragedy King Lear from the perspective of feminism, exposing the strong male consciousness of the play.
文章运用女权批评，通过阐释在《寒夜》女性人物塑造中的不同，以及小说叙述中的文本失真，分析出作家创作中潜藏的男性意识。
Based on the aesthetic opinion of Michel Foucault, this paper focuses on the analysis of the transformation of the identity of King Lear in Shakespeares tragedy King Lear.
在米歇尔·福柯审美决定论的基础上，文章分析了《李尔王》中李尔从国王走向疯癫最终死亡的过程。
Based on the aesthetic opinion of Michel Foucault, this paper focuses on the analysis of the transformation of the identity of King Lear in Shakespeares tragedy King Lear.
在米歇尔·福柯审美决定论的基础上，文章分析了《李尔王》中李尔从国王走向疯癫最终死亡的过程。
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