Indeed, knowing the plot twists to some movies for instance, such as the Sixth Sense, make you view the whole movie in a different way.
的确，比如拿《灵异第六感》来说，要是提前知道了情节转折点，你会用完全不同的方式观看整部电影。
A person might visit a movie review site, find they disagree completely with reviews already posted, and decide to write their own to balance the points of view.
某个用户可能会访问一个电影评论站点，发现自己完全不赞成站点中已发布的一些电影评论，他决定发布自己的评论来纠正这些观点。
My goal is to provide select customers a way to view the new movie (for a limited time) until I'm ready to start charging for access (which S3 can facilitate as well).
我的目的是为选择的用户提供一种方式查看新影片(在有限的时间内)，直到我开始收取访问费用(S3也会提供帮助)。
For instance, imagine that the movie I'd like to upload to S3 for customers to view for a limited time is nerfwars2.mp4.
例如，我想向S3上传一段影片 nerfwars2.mp4，以便用户能够在有限的时间内观看。
Desk Clerk: Those are for pay-per-view movies. Each time you selected a movie, the entertainment system prompted you to confirm that you really wanted it, right?
这些是按次付费的电影。每次您选一部电影，娱乐系统都会问您是否确定要这部电影，对吗？
When a trailer misrepresents the movie it advertises, when you view the actual movie, you see the trailer has nothing to do with the narrative, characters or plot. You are a victim of trailer fraud.
当一个预告片不能代表它所宣传的影片，观众在实际观看影片的时候发现预告片跟影片的内容、人物或情节均不符合，那么观众就是被预告片给骗了，成了预告片陷阱的受害者。
This thesis chooses drama, novel, painting and TV as the objects to be compared, discussed the characteristics of the movie from every point of view.
本文选择了戏剧、小说、绘画、电视作为电影的比较对象，从各个角度论述了电影艺术的特征。
When a trailer misrepresents the movie it advertises, when you view the actual movie, you see the trailer has nothing to do with the narrative 1, characters or plot. You are a victim of trailer fraud.
当一个预告片不能代表它所宣传的影片，观众在实际观看影片的时候发现预告片跟影片的内容、人物或情节均不符合，那么观众就是被预告片给骗了，成了预告片陷阱的受害者。
One side - the view that aliens are evil and are here to either colonize us or eat us, mass invasion, presents the view from the standpoint of the recent movie Skyline and the TV series Falling Skies.
一方是：外星人是邪恶的并且不是来殖民的就是来吃我们的，大规模入侵，从最近的电影《天际线》和电视剧《坠落的天空》中可以看到这样的观点。
This article is to explore the view of Benjamin towards movie through his own concept which was demonstrated in his the Work of art in the Age of Mechanical Reproduction.
本文试图以《机械复制时代的艺术作品》为解读重心，透过一系列本雅明式的概念来初步探讨他的新艺术——电影观。
This article is to explore the view of Benjamin towards movie through his own concept which was demonstrated in his the Work of art in the Age of Mechanical Reproduction.
本文试图以《机械复制时代的艺术作品》为解读重心，透过一系列本雅明式的概念来初步探讨他的新艺术——电影观。
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