它是一家诊所，而不是一个水疗吧：没有矫柔感伤地在玫瑰花瓣和鲸鱼音乐环绕之下无事瞎忙。
It is a clinic, not a spa: there's no namby-pamby faffing around with rose petals and whale music.
将要毕业，感伤不断，原谅我，祝福，也是感伤地去祝福。
Will be graduated from the constant pain, forgive me, and blessing, but also to bless sentimental.
女常潮便委屈地坐到圆桌边的塑料椅上，目光饱含感伤地对着男常潮上下看起来。
Then the woman Transo seated her body in the plastic chair next to the round table loathly, and looked at the man Transo gloomily.
它虽然非常清洁舒 适，环境优美，毕竟是一家诊所，而不是一个水疗吧：没有矫柔感伤地在玫瑰花瓣和鲸鱼音乐环绕之下无事瞎忙的感觉。
Though immaculately clean and comfortable, and in a beautiful setting, it is a clinic, not a spa: there’s no namby-pamby faffing around with rose petals and whale music.
在观察痛苦感伤的人时，你会发现他们总是不满足于现状并且不停地抱怨自己的过去、运气或别人的竞争。
If you observe anyone who is miserable, you will notice they are never satisfied and constantly blaming their history, luck or other people for their struggles.
悲伤的过去被无情地抛弃，面对现在的感伤我们是否能清醒地认识曾经的我们，别样的年华？
Grief in the past have been mercilessly abandoned to face the current sad if we can have a clear understanding of us, different kind of Love?
“我细细地品味它们(我的照片)，但一想到照片中美好的时光都已逝去，喜悦中不免略带感伤”，1897年埃费内普尔在写给父亲的信中说到。
"I savour them all [my snapshots] with the slightly sad joy of reflecting that all this good time is past", Evenepoel wrote to his father in 1897.
由于“感伤”更多地是与一种浪漫的诗性联系在一起，因而它成为“五四”文坛的浪漫主义文学阵营——创造社最为彰显的感情标记。
Owing to the close relation with one kind of romantic flavor, "sentiment" acts as the emotional mark which the romantic literature camp—the Creation Society presents most obviously.
听最感伤性的歌，最后清楚地把相同的方法去下来，只有当你真的是我的爱的时候。
Be listening the most sentimental song, Go the same way down finally clearly, Only when you are really my love.
而这种“忧抑感伤”，集中地体现在其笔下的“零余者”身上。
And this kind of sadness and pathos is collectively embodied in the character of "the unwanted".
通常懂酒的女人都有一份美丽，在人群里，她们从不会让自己喝醉，她们会将酒喝得很艺术，很适度，将自己的快乐更多地释放，同时，将自己的感伤更多地隐藏。
Generally, women who know wine well keep their beauty. In the party, they never get drunk but go on drinking in an artistic and appropriate way, with more pleasure outward and more pathos inward.
通常懂酒的女人都有一份美丽，在人群里，她们从不会让自己喝醉，她们会将酒喝得很艺术，很适度，将自己的快乐更多地释放，同时，将自己的感伤更多地隐藏。
Generally, women who know wine well keep their beauty. In the party, they never get drunk but go on drinking in an artistic and appropriate way, with more pleasure outward and more pathos inward.
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