二是国内外对纪录片创作理论的研究现状。
Second, the current status of research on the creative theory for documentary at home and abroad.
陈为军，武汉电视台制作人，长期从事纪录片创作。
Chen Weijun, producer of Wuhan TV Station, he has being engaging in documentary production for a long time.
对于职业纪录片创作者而言，DV是他们众多拍摄器材当中的一种选择。
In the eyes of the professional documentary producer, DV is just one type of screening tools of them all.
“审美性”是电视纪录片的本质特征，是电视纪录片创作和批评的价值规范。
Aesthetics is the essential characteristic of television documentary, and the norm for its creation and criticism.
在拍摄和剪辑的过程中，我深切感受到一段熟悉的生命体验对于纪录片创作的重要性。
In the course of shooting and editing, I strongly felt how important life experience is for documentary production.
张伟杰自1990年代从事纪录片创作以来，一直以朴素的中国语言记录了十多年来中国人生活的变迁。
Zhang Weijie started his career as a documentary artist in the 1990s and has been recording changes in the lives of the Chinese people for over a decade from his humble and sincere perspective.
文章用实证分析的方法，着重分析了纪录片解说词的几种类型、各自的特点和功能，以及解说词在纪录片创作中的价值。
This essay applies a case study method to discuss the types of commentary in documentary, their features, functions and values in the creation of documentary.
我正在给Canongate 和BBC 分别创作一本书和电视纪录片，名字叫做《烧尽商标》（Bonfire ofthe Brands）。
I am writing a book/TV documentary for Canongate an d the BBC called Bonfire of the Brands.
从叙事学角度出发，将纪录片作为文本进行研究，无论是对纪录片的创作理念还是接受意识，都将提供一种新的思考角度，开辟一片新的视野。
Fresh idea and new landscape would be offered by research taken documentaries as texts in terms of Narratology, both to documentary workers and to their audience.
我国纪录片目前的创作和营销瓶颈，源于对纪录片意义的认知偏差。
The bottleneck of creating and marketing a documentary at present stems from a misunderstanding of the meaning of the documentary.
而在拍摄过程中，最重要的莫过于采集大量的素材，纪录片的创作是在剪接室发生的。
And during the shoot, the point is to get as much material as possible. It's in the editing that a documentary takes place.
纪录片所遵循的是后一种创作思路，它存在的首要因素就是真实，它以记录不可复现的时间流程显示出其特殊的价值。
The documentary shows its particular in the late idea , that its first element is the truth , and it is valued by recording what has happened in the past that can never occurred again .
但纪录片本身却有一条不变的创作理念，即用真实的影像来反映生活，记录历史。
But in the documentary itself, there is a constant creative idea that USES the real images to reflect the life and record history.
本文在阐述纪录片的价值所在后提出被摄对象的自我观点与创作者的创作意图在某种程度上是一致的。
The self-view of the object being shot, which was put forward after the value of documentary films being expounded in this article, was consistent with authors creative intentions to a certain extent.
CG技术将会越来越广泛地应用于纪录片的创作中。
CG technology will become increasingly widely used in the documentary's creation.
电视纪录片脱胎于电影，早期作品说教味较为浓重，大多是创作者实现宣教主旨的工具。
Televised documentary derives from movies, the early homiletic works became a tool for framer to realize their propaganda purpose.
本文尝试将形态学理论运用到我国纪录片的研究中，纪录片作为一种重要的影视艺术形式，它是以现实的真实记录为素材而创作的影视作品。
This paper tries to study documentary of our country with the morphology theory. As an important kind of film and television arts, the documentary is created with original video materials.
此外，还对人类学纪录片自身的创作特点和价值以及创作理念进行了一番人类学研究角度上的阐释。
In addition, on the anthropological research perspective, I interpret the anthropology documentary on its own characteristics and value and the creative concept.
DV与生俱来的民间性质使DV纪录片从创作群体、创作方式到文本形态上都呈现出多元性、大众化的特点。
From the creative groups, creative way to the appearing of the text, the natural civil features of the DV make the DV documentary show Out the pluralistic, popular characteristics.
然而，随着“真实再现”手法的流行，现阶段很多纪录片都毫不顾及的一味模仿、搬用所谓“程式化”的技巧，使得纪录片的创作呈现良莠不齐的局面。
Popular with it, lots of documentary film imitate and copy the fixed technique regardless, causing the creation of documentary film present a picture of miscellaneousness.
然而，随着“真实再现”手法的流行，现阶段很多纪录片都毫不顾及的一味模仿、搬用所谓“程式化”的技巧，使得纪录片的创作呈现良莠不齐的局面。
Popular with it, lots of documentary film imitate and copy the fixed technique regardless, causing the creation of documentary film present a picture of miscellaneousness.
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