It is Wagner who first demonstrated the essential fusion of racial and religious feelings in Afro-American poetry.
瓦格纳是最早将美国黑人诗歌中种族与宗教情感的融合者。
The home of jazz music, New Orleans is a blend of the Spanish and French culture with influences from Afro-American and the Carribbean.
新奥尔良作为爵士乐的发源地，在非裔美国人和加勒比地区的影响下融合了西班牙和法国文化。
Yes, I decided that Tara would be Afro-American.
是的。我决意让塔拉成为一位非裔美国人。
It means to do some sort of damage and the OED claims it's from Afro-American origins.
它的意思是造成一定破坏，OED称其出自美国黑人英语。
The present paper discusses the time in Baker's poetics of Afro-American women's writing, and argues that what he emphasizes is a kind of changing and aesthetic time.
本文着重探讨了贝克的非洲裔美国女性诗学中的时间意识，认为贝克的理论所强调的是变化的时间和审美经验的时间。
Celie, a barely educated Southern Afro-American woman, is the protagonist of the novel.
西丽亚，一个几乎没有受过教育的南方黑人女性，是小说中的主人公。
Those who have taken courses in afro-american studies have surely come across the work of henry louis gates and know that he is no uncle tom.
那些普修过美国黑人研究课的人肯定接触过亨利·路易斯·盖茨的作品，也知道他绝不是逆来顺受的。
The second chapter is the role orientation of the Afro-American women, which introduces the attitudes of the Afro-American women to the second Feminism Movement.
第二章为变革中的黑人妇女的角色定位，主要介绍了黑人妇女对第二次女权运动的态度。
Meanwhile, the Civil Rights Movement has active impact on the Afro-American women in education, employment, and thoughts.
民权运动对黑人妇女的教育、就业以及思想观念等方面均产生积极进步的影响。
Extended debate concerning the exact point of origin of individual folktales told by Afro-American slaves has unfortunately taken precedence over analysis of the tales, meaning and function.
不幸的是，人们对美国黑奴个别民间故事的确切起源地点争论的无休无止，而不是首先对民间故事的意义和作用进行分析。
Because of their subtle sense of art and special culture background, Afro-American women writers have constructed their own literature system.
美国黑人女性作家依托着自己独特的历史文化背景，凭借女性敏锐的文学感悟构筑起属于自己的文学体系。
However, living in the present American society, the Afro-Americans should keep on struggling against the social prejudice.
对于生活在当今美国社会的黑人来说，他们仍然还要同社会偏见和歧视斗争下去。
Toni Morrison's cultural ethnic context is a historical one in which the western classical tradition interacts with the Afro-American ethnic culture.
托尼·莫里森的文化语境是西方经典文学传统与黑人族裔文化结合的历史语境。
Paradise, the latest novel by the black woman writer Toni Morrison, marks another striking advance of this Afro-American master's literary speculations.
《乐园》是美国黑人女作家托尼·莫里森的最新力作，该小说的出版标志着这位诺贝尔奖得主在美国黑人女性文学创作方面的又一里程碑。
One of the artists there told me that his paintings, while included African and Afro-American mythological symbols and imagery, were hanging in the local McDonald's restaurant.
当地一位艺术家告诉我，他的一些含有非洲和美国黑人神话中的象征和意象的画作悬挂在当地一家麦当劳快餐店里。
One of the artists there told me that his paintings, which included African and Afro-American mythological symbols and imagery, were hanging in the local McDonald's restaurant.
当地一位艺术家告诉我，他的一些含有非洲和美国黑人神话中的象征和意象的画作悬挂在当地一家麦当劳快餐店里。
Depending on the endeavor of several generations, the most splendid glory of Afro-American literature has belonged to these black women since the 1970s.
在一代代伟大女性的共同努力之下，二十世纪七十年代以来，美国黑人文学的至高荣耀无可争议地归属于她们。
As the first black American writer receiving the Nobel Prize for Literature, Toni Morrison puts black novels to a higher level, based on Afro-American's unique history, folklore and reality.
美国黑人作家，托尼·莫里森植根于美国黑人独特的历史、传说和现实生活，将 黑人小说推向一个新的高度。
What should be stressed was the integrity of the Afro-American culture. Only on the basis of such knowledge could we create the authentic Afro-American literature.
需要强调的是黑人文化的完整性，只有在这种认识的基础上才能创造出纯正地道的黑人文学艺术作品。
Such a criticism includes the following main ideas: Afro-American literary criticism should emanate from the Afro-American literary tradition and its dialogue with the western theoretical discourses ;
盖茨的修辞性批评理论认为，美国非裔文学批评应产生于美国非裔文学自身的传统，它与西方文论形成对话与互动；
Kim, the Korean retailer, recalled that when he opened his first store in Brooklyn, nearly his entire clientele was Afro-Caribbean and African-American, and his customers spoke no Korean.
他回忆说他在Brooklyn开第一家店的时候，他所有的客户都是加勒比黑裔和非裔美国人。他们都不讲韩语。
Kim, the Korean retailer, recalled that when he opened his first store in Brooklyn, nearly his entire clientele was Afro-Caribbean and African-American, and his customers spoke no Korean.
他回忆说他在Brooklyn开第一家店的时候，他所有的客户都是加勒比黑裔和非裔美国人。他们都不讲韩语。
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