This makes Chinese modern new poetry to start from the spirit of free creation instead of the vernacular easy to understand.
这使得中国现代新诗没有从直白浅露的“白话”起步，而是从一种自由创作精神起步。
The creation of Chinese modern new poetry have ignored theoretical construction of its own, but put undue emphasis on the colloquial and prose style, and opposed the metrical and standard patterns.
中国现代新诗创作长期以来忽视自身理论建设，片面强调口语化、散文化，而反对新诗的格律化和规范化。
These theories have had great influence on modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
It can not only benefit the localized reconstruction and specialized expansion of Modern Chinese communication Studies, but also offer a new communication perspective for Chinese poetry research.
这既是中国传播学的本土化重构和专业化拓展的有益尝试，更是中国诗歌研究的传播学新视角。
These theories have had great influence in modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
Poets of the Southern Society were a lively force in the modern Chinese poetry, whose writings were run through by new styles, songs, and colloquialism, especially in the form of songs.
南社诗人是中国诗歌近代化历程中的一支生力军，其创作贯穿于“新学诗” 、“新派诗”、“歌体诗”、“白话诗”等诗歌近代化阶段，尤以“歌体诗”的探索成绩突出。
Poets of the Southern Society were a lively force in the modern Chinese poetry, whose writings were run through by new styles, songs, and colloquialism, especially in the form of songs.
南社诗人是中国诗歌近代化历程中的一支生力军，其创作贯穿于“新学诗” 、“新派诗”、“歌体诗”、“白话诗”等诗歌近代化阶段，尤以“歌体诗”的探索成绩突出。
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