Japanese and Chinese lacquer work is often red or black. Sometimes it can be decorated with pieces of silver or gold metal to create an image.
日本和中国漆制作品常为红色或黑色，有时也漆上金色或银色，使外观更有光泽。
At the beginning of this thesis, the author guide us to tracing back to the history of lacquer-painting and show that lacquer work had a refulgence history as an important commodity in our country.
本文通过对漆画历史的追根溯源，发现漆器在我国曾作为主要的生活用品有着辉煌的历史。
The purpose of this researching work was to attempt adopt modern test techniques, example for microanalysis, RAMAN, XRF, FTIR and SEM, to study the lacquer film.
本文尝试利用各种现代测试技术去研究漆器残片，如显微镜、拉曼光谱、荧光光谱、红外光谱和扫描电镜等方法。
The three black lacquer panels are carved with open work and attached to the metal base, so the red you see in the spaces of the lacquer is actually the paint on the base.
三块有刻工的黑漆面板被黏在金属底板上。所以你看见表面刻花间的红色实际上是底板上的漆。
The three black lacquer panels are carved with open work and attached to the metal base, so the red you see in the spaces of the lacquer is actually the paint on the base.
三块有刻工的黑漆面板被黏在金属底板上。所以你看见表面刻花间的红色实际上是底板上的漆。
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